In the final episode for Season 5, Yves and Clare are joined by filmmaker, conservationist and adventurer, Oliver Cassidy, on a meandering journey from the fires of archival passions to the watery depths of the Franklin River and its deep time. Oliver takes us through the research and emotional backstory to his stunning documentary film, FRANKLIN, to reveal the relationship between human diversity and biodiversity. How does the dual transition narrative of the film demonstrate the quest to be the best version of yourself? What story do we tell ourselves about who we are, both as individuals and as a nation? Is it possible to heal multiple wounds – historical, familial, environmental, political – by using a river as archive, as a source of evidence? How can we use can we use documentary film footage as a tool of archival activism so that current generations can draw courage from the traditions of commitment, protection and responsibility of past change leaders?

Can historians kick off the shackles of footnotes and approach the past in the spirit of play? This week on Archive Fever, Clare and Yves are joined by Dr Nadia Rhook, a historian and poet whose most recent collection is Second Fleet Baby (Freemantle Press, 2022). In a conversation that tackles the limitations of the history discipline, Nadia shares her journey from conventional academic historian to creative writer who connects with the past from the fullness of herself. How can we restore the past in ways that nourish the historian? Why does being more creative involve giving up authority? And what can settler historians learn from First Nations archival poetics?

Luke Watt and Nigel Wearne performing 'Needle and the Fray', inspired by Clare Wright's book 'The Forgotten Rebels of Eureka'.

This week, an Archive Fever first: live music! Clare and Yves are joined in studio by acclaimed musicians Nigel Wearne and Luke Watt, who collectively record as Above the Bit. Their debut self-titled album is a feast of revisionist storytelling, featuring lyrical tales of mutineers, rebels, warriors and wayfarers in Australia’s history. How can traditional music – like oral history – serve as an endless archive? When songwriters do research, what comes first: the story or the music? How much historical licence can you take in songwriting that has truth-telling (and activism) at its heart? Why don’t some tales heal unless they are told? And why does listening to music make even the most hardened of grown men cry? Spoiler alert: this episode comes with bonus musical tracks. Get out your tissues.

Bonjour Australie! This week, Clare and Yves put on their berets and grab a baguette to talk Australian history through a French lens with Dr Alexis Bergantz, historian at RMIT University and author of the award-winning French Connection: Australia’s Cosmopolitan Ambition (NewSouth, 2021). How does being an outsider give one fresh eyes on a nation’s past? Why should we disrupt the monolingualism of Australia’s settler history? What do non-English archives bring to the table? And can foreign-language sources help us challenge nationalist mythologies?

This week on Archive Fever, Clare and Yves dive down into the archival underbelly of 1930s queer, criminal Sydney, with author, performance and activist, Fiona Kelly Macgregor, whose recent novel Iris is a stunner. Why does holding the bullets from a woman’s gun – trial evidence – compel you to spend twenty years writing a book? How do you get a voice from the dead to rise up out of the grave, speaking in the urban colloquial vernacular of a bygone era? At what is all this nostalgia for a pre-digital age where it was possible to driftnet fish in the stacks? Fiona takes us on a tour through tattoos, night clubs and streets that might just be familiar to you … sort of.

Who said archives had to be on planet earth? This week on Archive Fever, Clare and Yves are joined by Kamilaroi woman Krystal de Napoli, an astrophysicist, advocate for Indigenous astronomy and co-author of the award-winning book Astronomy: Sky Country (2022). How does the sky function as an archive for Indigenous knowledges? Why does light pollution threaten this celestial library? And why must any recognition of Indigenous sovereignty extend to the sky? Once you learn about Indigenous sky rights, you’ll never think about Country the same way again.

This week is a first for Archive Fever: a lawyer in the hot seat! Clare and Yves are joined by Professor Kate Auty, barrister, magistrate, law reformer and, with the 2023 release of her book O’Leary of the Underworld, historian. What are the differences between legal research and historical research? What happens when an archivist turns informer? Why, when you ‘enter a justice space’, is writing an explainer simply not an option? What happens to judicial impartiality when you want to flay your historical protagonist alive? And how does it feel, down there in the gutter fight of history?

Clare and Yves are joined by Zoe Coombs Marr, comedian, actor and creator of the ABC TV history documentary Queerstralia (2023). How does foraging and research shape the process of making comedy? What are queer temporalities and why was Queerstralia made as a looping metanarrative? What does it look like inside Zoe’s brain? Plus: a cameo appearance from Zelda the cavoodle, and Zoe reveals all about her street vomit archive.

Clare and Yves are joined by Emeritus Professor Judith Brett, scholar of Australian politics and political history and author of such award-winning books as Robert Menzies: Forgotten People (2016) and The Enigmatic Mr Deakin (2017) and most recently, Doing Politics: Writing on Public Life (2022). What does it feel like to be obsessed with the past? The group discusses the psychoanalytic journey from an obscure Viense poet to Robert Menzies, reading for patterns, and writing history as an act of reparation.

Yves and Clare are joined by British historian and disability scholar Lauren Pikó, whose work explores the cultural histories of landscape. Lauren is the author of Milton Keynes in British Culture: Imagining England (2019). How does one look at archives and research through a disability lens? The group discusses the importance of presence and absence, digitising the archive, and accessibility of institutional and archival research.

Clare and Yves are joined by Dr Lauren Burns, aeronautical engineer and author of Triple Helix: My Donor-Conceived Story (2022). How do you move forward when you hit the research brick wall again and again? What if your greatest archive is your own DNA? The group discusses carbon fibre, what was hidden becoming obvious, and genetic bewilderment.

Yves and Clare are joined by Dr Mike Jones, archivist, historian, deputy director of the ANU’s research centre for deep history, and author of Artefacts, Archives, and Documentation in the Relational Museum (2021). What dangers lie in sacralizing the archive? Is it truly possible to allow everyone control over their own story? The group discusses the historian’s professional anxiety, patrolling the disciplinary boundaries of archival work, and a hidden code in paperclips.

Clare and Yves are joined by journalist and broadcaster Tamara Oudyn whose latest ABC podcast series, ‘The Good Divorce’, tells the story of the seemingly elusive good divorce. Where does the research begin for a topic that’s still so taboo? The group discusses the key ingredients that make good talent, sources as a human archive, and balancing the light and shade in the world today.

Clare and Yves are joined by Duane Hamacher, a cultural astronomer from the University of Melbourne, specialising in Indigenous astronomy. Duane’s book, The First Astronomers: How Indigenous Elders Read the Stars (2022), is the product of 10 years of collaborative research with Indigenous elders. How does a boy from Missouri wind up reading the antipodean stars? What gets overlooked when knowledge is discredited as myth and legend? The group discusses outsiders, variable stars changing the history of science, and researching with ears open, mouth shut.

Yves and Clare are joined by literary biographer Bernadette Brennan and documentary filmmaker Tosca Looby, who have recently documented the life and times of two of the most influential women in recent Australian history, to learn how the archive shapes and limits the stories we tell about powerful women.

Clare and Yves are joined by Associate Professor Anna Clark, historian and author of Making Australian History (2022). How does one tell the history of history itself? Can we expand the very notion of the archive with a leap of imagination? The group discusses fateful timetable clashes, the opaqueness of deep time, and the limitations of a chronology-obsessed history with a capital H.

Yves and Clare are joined by Professor John Carty and Dr Jared Thomas from the South Australia Museum to learn how the museum is grappling with its collection of unidentified Indigenous human remains — an archive of bones — and explore how the museum’s historical artefacts can operate as a “cultural seedbank” to facilitate the memory of and reconnection with Indigenous knowledges.

Clare and Yves are joined by the spectacular Kate Grenville to discuss searching for secrets, fictionalising colonial history and Kate's latest non-fiction book, Elizabeth Macarthur's Letters.

Yves and Clare are joined by Catherine Dwyer, the filmmaker behind Brazen Hussies (2020), a history of the rebels and activists who brought the women’s liberation movement to Australia. What happens when someone’s story is in contention with the archive? What do you do with the footage left on the cutting room floor? The group discusses uncovering buried treasure, the methodology of visual storytelling, and the nitty-gritty of using archival footage in Australia.