Actress Lana Clarkson meets Phil Spector for the first and last time on a fateful and fatal night in February 2003. She doesn’t know who he is, but is gradually charmed by the stories he tells about The Beatles, The Righteous Brothers, Tina Turner, The Ramones, Elvis Presley, and more. When they end up at Spector’s Alhambra castle, a tipsy night of good fun quickly devolves into a deadly night of head games and murderous mischief.
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The Phil Spector Story, Chapter Nine: Phil Spector and Lana Clarkson

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In 1966, Brian Wilson planned to follow up the Beach Boys' groundbreaking album Pet Sounds with an even bigger musical statement. He was writing a teenage symphony to God. That album, Smile, was never finished. Instead, Brian slowly unraveled, as the pressure to make something profound weighed heavy on him. He worried that he wasn’t good enough. He worried that he was a failure in the eyes of the record company, his band, his peers, and his own father. He thought his house was bugged. He thought the music he was making conjured some strange voodoo that had a disastrous impact on the real world. He became paranoid. He self-medicated with amphetamines, hash, and LSD. He held meetings in his swimming pool. He imagined people who weren’t there. And eventually, in 1967, he went off the proverbial deep end. Did the real Brian Wilson ever resurface? Part true crime, part historical fiction, part spoken word lo-fi beat noir brought to you by Jake Brennan, and featuring the fictionalized voice Brian Wilson, BLOOD ON THE TRACKS sounds like nothing you’ve heard before. Because you can’t push the needle into the red without leaving a little blood on the tracks.

The Phil Spector Story, Chapter Nine: Phil Spector and Lana Clarkson

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