Future of Film Podcast with Alex Stolz

Mahin Ibrahim and Phillip Domfeh: Launching New Storytelling Talent

Mahin Ibrahim and Phillip Domfeh are the executives behind Disney Launchpad, the new programme for untapped filmmaking talent. Available now on Disney+, Launchpad is a series of bold and new stories from emerging creators. In this talk, Mahin and Phillip share how the programme worked and the process of nurturing new talent. We also talk about inclusion behind and in front of the camera and the reasons that so often prevent a wider range of talent progressing through the system. More at www.futureoffilm.live

June 17, 2021

33 min

Jack Attridge: Reimagining the Film-Game Genre

Jack Attridge is is Creative Director and co-founder of Flavourworks, the London-based digital entertainment studio. Originally trained in filmmaking, Jack pivoted into the gaming industry, working at leading studios like EA, Rebellion, Mind Candy, and 22cans. In 2015 he co-founded Flavourworks to realise a new form of interactive storytelling. This resulted in the acclaimed game-film hybrid (or as Jack prefers, 'filmed game') ERICA which fuses live action storytelling with interactivity via an innovative new control system developed by Flavourworks called Touch Video. In this conversation we explore the new medium that Jack and Flavourworks are pioneering at this intersection of film and games. Jack does an amazing job in deconstructing these two forms and sharing his vision for this new kind of story experience they are driving forward, that combines the aesthetics and sensibilities of filmmaking with new levels of intimate, tactile interactivity. More at www.futureoffilm.live About Jack Attridge Jack Attridge is Creative Director and co-founder of Flavourworks, an innovative content and technology studio based in London that develops and produces filmed games. Specialising in design, audio, and filmmaking, Jack’s career spans studios including EA, Rebellion, Mind Candy and 22cans. In 2015 he set-up Flavourworks alongside his co-founder Pavle Mihajlovic to realise their vision of creating live-action cinematic narratives imbued with responsive gameplay features which are simple and intuitive, allowing them to be played by anyone, on any platform. Soon after forming, Flavourworks was funded by games industry legends Peter Molyneux OBE, and Ian Livingstone CBE, who also serves as Non-Executive Chairman. Flavourworks’s patent-pending Touch Video technology allows them to function simultaneously as both a game studio and film production company with the studio’s first game, “ERICA,”, now available on both PlayStation and iOS and coming to PC in May 2021.

May 11, 2021

44 min

HaZ: The Power of Realtime CG Animation

This episode is about how filmmaker HaZ is reinventing his craft through realtime game engine-powered animation. Having originally started his career in VFX, Hasraf 'HaZ' Dulull transitioned to directing and producing, with the Netflix-acquired sci-fi. THE BEYOND. He then followed up with another sci fi feature, 2036 ORIGIN UNKNOWN before directing a major show for Disney, FAST LAYNE. Throughout a career characterised by innovation, HaZ has particularly made use of realtime game engine tools and Unreal Engine. In 2019 at Future of Film Summit , he showcased how these helped unlock finance for his projects through a 'pre-vis to pitch-vis' process. In 2020 he directed the groundbreaking Virtual Production live action short, PERCIVAL with Rebellion Studios. Now, working with a small global team, HaZ is using the same tools to realise his vision through completely animated films. In this conversation, HaZ shares the tools, techniques and workflow he is using to create the latest HaZ Films project, the animated anime feature film RIFT. He also explains how this process is enabling him to retain creative independence and achieve commercial success in the new streaming landscape.

April 6, 2021

58 min

Jason Blum: The Business of Blumhouse

Jason Blum, founder of Blumhouse Productions, is a three-time Academy Award®-nominated, two-time Primetime Emmy Award-winning and a two-time Peabody Award-winning producer. Blumhouse is known for pioneering a new model of studio filmmaking: producing high-quality micro-budget films and television series, and his multimedia company is regarded as the driving force in the horror renaissance. Throughout his career Jason has relentlessly innovated and defied collective wisdom on the business of filmmaking. His low budget approach is much more than about 'keeping costs down', it's about fundamentally reducing risk and retaining control. And the result of this? For Jason it has meant staying INDEPENDENT, empowering artists (like Damien Chazelle, Spike Lee and Jordan Peele) and building a global direct to consumer and industry brand. In this very special interview with journalist Wendy Mitchell, Jason discusses his work and the future of the film and television business. It was recorded in November 2020 for the Future of Film Summit.

March 29, 2021

55 min

Jeff Gomez: Building Franchises, Transmedia Storytelling and the Collective Journey

Jeff Gomez is CEO of Starlight Runner and one of the world’s leading experts in story and narrative design. He works with executives, visionaries, and global leaders to develop vast fictional story universes on properties like Avatar, Pirates of the Caribbean, Transformers and Spider-Man This conversation is really an exploration of narrative design. In particular, Jeff describes how conceiving and developing stories as worlds that can be told across multiple platforms can unlock incredible value for creators and brands. We also discuss the movement of audiences to participants and how, as storytellers we can not only engage and learn from the audience as well as harness this incredible feedback in our work. This leads us to explore what Jeff refers to us the Collective Journey narrative modality which, he argues, is a more relevant way to think about story in today’s hyper connected world. We dig into what this means for film, for culture and how we are moving from Hollywood-centric storytelling to more global, diverse and inclusive narratives. www.futureoffilm.live

March 22, 2021

65 min

Johanna Koljonen: How to Transform Storytelling Together

Johanna Koljonen is a media industry analyst, broadcaster, writer and experience designer. She is also the author of the Göteborg Film Festival’s annual Nostradamus Report, which is an industry leading analysis of the near future of the screen sectors. I recently had the honour of being invited to participate in the 2021 Report (subtitled "Transforming Storytelling Together") and in this episode I took the opportunity to 'turn the tables' to ask Johanna about her findings and thoughts on the future of film and screen storytelling. Johanna is incredibly articulate and insightful about where things are heading within film and media on a global basis and there is so much valuable information in this episode for anyone involved in the business of storytelling on screen. As well as writing The Nostradamus Report, Johanna lectures internationally on changes in the media sector, as well as on participation and narrative design for games and experiences in analogue and virtual spaces. Her background is in public service broadcasting in Sweden and she serves on the board of the Swedish Film Institute. In 2011, she received the Swedish Grand Journalism Award in the Innovator category. Her latest book is Larp Design: Creating Role-Play Experiences (2019). More at www.futureoffilm.live The 2021 Nostradamus Report can be downloaded for free here: https://goteborgfilmfestival.se/nostradamus

March 15, 2021

58 min

Kiri Hart: Star Wars and New Possibilities in Storytelling

Kiri Hart is an executive, writer and producer with nearly 3 decades experience in film and television. She is probably best known for her role as Senior Vice President of Development at Lucasfilm between 2012 and 2018. Here she formed the now legendary Lucasfilm Story Group and oversaw the creative development of all Star Wars content across film, animated television, publishing, gaming, immersive media, and theme parks. While at Lucasfilm, Kiri also co-produced the films THE LAST JEDI and ROGUE ONE: A STAR WARS STORY and produced all four seasons of the award-winning animated television series Star Wars Rebels. Kiri has more recently formed a producing partnership with Stephen Feder at T-Street, the independent media studio started by filmmaker Rian Johnson. Kiri is currently producing filmmaker Gareth Edwards’ upcoming untitled original film for New Regency and also serves as a Creative Consultant at Pixar Animation Studios and is an Executive Producer on Pixar’s next film SOUL. This episode is fundamentally about the practice of storytelling and Kiri reveals the collaborative process she has developed across her extensive career working with artists and filmmakers like Gareth Edwards. Kiri also shares what she believes are the qualities of a successful storyteller as well as her advice for new creators coming through. We also discuss diversity in film, how this is changing and, in particular, how we can do more to accelerate storytelling diversity further. In one of the most inspiring conversations I've had on this show, we also talk storytelling in the context of theme park attractions, the benefits of virtual production to the process and learn why Kiri is so optimistic about the future of film. More About Kiri Hart Kiri Hart has worked in film and television for 28 years as a story analyst, film executive, writer and producer. After starting her career in 1992 as an assistant in CAA’s Literary Department and later at the Ladd Company, she moved to HBO Films as a creative executive, developing a slate of original movies. She then spent ten years as a screenwriter and television staff writer, writing projects for Universal, HBO, Showtime, and NBC. After working as a development executive at the Kennedy/Marshall Company, Kiri became Senior Vice President of Development at Lucasfilm in 2012. She formed the Lucasfilm Story Group, and oversaw the creative development of all Star Wars content across film, animated television, publishing, gaming, immersive media, and theme parks. While at Lucasfilm, Kiri co-produced the films THE LAST JEDI and ROGUE ONE: A STAR WARS STORY, and produced all four seasons of the award-winning animated television series Star Wars Rebels. Kiri departed her Lucasfilm post at the end of 2018, and formed a producing partnership with Stephen Feder, who worked with her at Lucasfilm. Kiri and Stephen are now producers for T-Street, an independent media studio started by filmmaker Rian Johnson (LOOPER, STAR WARS: THE LAST JEDI, KNIVES OUT) and his producer Ram Bergman. Kiri is currently producing filmmaker Gareth Edwards’ upcoming untitled original film for New Regency. She also serves as a Creative Consultant at Pixar Animation Studios, and is an Executive Producer on Pixar’s next film SOUL, directed by Pete Docter. Kiri is a member of AMPAS and the WGA. She is a California native, and a graduate of Stanford University.

November 5, 2020

49 min

Jess Engel: Diversify, Pivot, Innovate: New Strategies for Filmmaking

Jess Engel is an award-winning, multidisciplinary producer focused on blending storytelling with art and technology. As founder at Crimes of Curiosity, her recent mixed-reality projects include BREATHE, PERSUASION MACHINES and the groundbreaking SPHERES (2018). Directed by Darren Aronofsky, SPHERES not only won the Gran Prix in VR at the Venice Film Festival in 2018 but also achieved the then highest sale price for a VR project to date, at its Sundance premiere. In this episode, I talk with Jess about the VR space (including how this is being impacted by Covid) and explore her strategies as a storyteller which include brand funded work, documentaries, interactive projects and feature films. This episode is going to be particularly relevant if you are a creator, producer or filmmaker as Jess shares so much valuable insight into how to structure your business in the new media landscape. Jess reveals the different approaches and models that are proving effective, as well as her advice for storytellers and thoughts on the future of film. More about Jess Engel Jess is an award-winning, multidisciplinary producer focused on blending storytelling with art and technology. As founder at Crimes of Curiosity, her recent mixed-reality projects include BREATHE (Sundance 2020), PERSUASION MACHINES (Sundance 2020), and the groundbreaking SPHERES (2018), which won the Gran Prix in VR at the Venice Film Festival in 2018. Her work has been shown around the world at major festivals and institutions, including Sundance, SXSW, Tribeca, Cannes, Venice, Telluride, NYFF, MIT, and Art Basel. Jess is a 2018 Emmy Awards Finalist. She is a participating producer of the Sundance Institute's inaugural "Future of Culture" Initiative and is a member of the Guild of Future Architects. She has been a Sundance New Frontier fellow and advisor.

October 29, 2020

47 min

Shabnam Mogharabi: The Business of Impact Entertainment

Shabnam Mogharabi (@shabster on Twitter) is a former award-winning journalist who co-founded SoulPancake in 2008 with the actor Rainn Wilson. SoulPancake is a digital entertainment company with the vision to “make stuff that matters” creating uplifting and socially impactful videos on a daily basis. With this singular and different approach to online entertainment, the company has amassed over 10m fans online and nearly 1B video views. Under Shabnam’s tenure, SoulPancake was also acquired by leading impact film organisation, Participant Media and worked across their releases such as ROMA and DARK WATER, to reach new audiences and create and measure their social impact. Shabnam is an incredibly articulate and engaging speaker and we cover a lot of really valuable material in this conversation Including: - strategies to create impact through filmmaking, - ways to reach new audiences - how brands and filmmakers are working together as well as and how to approach brands if you are a filmmaker - How to strategise your career as a storyteller More About Shabnam Mogharabi Shabnam Mogharabi has more than 15 years of experience in media and entertainment building startups and organizations with an emphasis on digital content, social platforms, production, and news media. She most recently served as CEO of SoulPancake, an inspiring entertainment company she co-founded with actor Rainn Wilson that creates daily positive, socially conscious videos about human connection. As CEO, she was responsible for steering the company’s vision, safeguarding its mission, and supercharging its growth past its current community of 10M fans online and nearly 1B video views. She also advised SoulPancake’s parent company, Participant Media, and its board on strategic issues, acquisition opportunities, and the company’s social impact goals. Prior to SoulPancake, Shabnam was an award-winning journalist and editor, having served as the youngest Editor-in-Chief at Hanley Wood Business Media, where she oversaw a group of 4 print publications, 8 websites and e-newsletters, and 3 annual live events in the real estate space. Under her leadership, the group weathered downsizing and consolidation during the financial and housing crisis of 2008, yet surpassed annual revenue growth and profitability targets by 20%. One of the youngest winners of the Jesse H. Neal Award (the Pulitzer Prize of B2B journalism), Shabnam has worked as a contributing writer, editor, and stringer for a number of publications, including People, Pool & Spa News, Sunset, and HuffPost. She is a New York Times bestselling author with SoulPancake: Chew on Life’s Big Questions. Shabnam is honored to be a member of the 2016 class of Henry Crown Fellows and a member of the Aspen Global Leadership Network. She is a frequent speaker on the importance of joy, how to connect with Millennials, and meaningful online engagement. She resides in Los Angeles, where she is active with a number of interfaith organizations and volunteers with the Crisis Text Line. Shabnam received her B.A. in journalism and business administration from the University of Southern California and her Master’s in media management from Northwestern University. You can find her on Twitter at @shabster. More info at www.futureoffilm.live

October 22, 2020

50 min

John Gaeta: Immersive Worlds, The Matrix and Future Filmmaking

A relentless innovator in film, John Gaeta is best known for his defining work on The Matrix trilogy, including the invention of bullet time, for which he won the Academy Award for Visual Effects. More recently, John co-founded Industrial Light and Magic’s Virtual Reality division ILMX lab and has held the role of SVP Creative Strategy at Magic Leap. Drawing on all of his deep knowledge and understanding about new storytelling technologies, this conversation takes us from the Matrix to the future of filmmaking via XR and Artificial Intelligence. In what is one of the most fascinating conversations I’ve had on the show, John explains his vision for where media is heading, why he believes that there will also be a space for linear storytelling (or 'sculptural form' as John calls it) in this world and why the future of our civilisation rests on a knife edge between creativity and control. See more at www.futureoffilm.live

October 14, 2020

51 min

Sam Barlow: The Future of Interactive Filmmaking

Visionary storyteller Sam Barlow's work blends traditional filmmaking techniques with gaming mechanics to create new forms of interactive films. He is known largely for the pioneering works HER STORY and more recently the Annapurna-produced TELLING LIES which is a hugely ambitious interactive thriller told from multiple points of view. In this conversation we explore Sam’s creative process and his vision for the future of interactive filmmaking. In particular, how his work differs from the "Choose your Own Adventure" style adopted by Black Mirror's Bandersnatch . We also touch on Sam’s career and get into the business model and distribution strategy for this kind of work - which although it looks like films has a very different release and revenue cycle. Although we talk primarily about interactive filmmaking, Sam is first and foremost a storyteller and we cover a lot of the fundamentals of this. He is also a a deep thinker about his craft and the episode is densely packed with ideas, concepts and strategies for creators. We will be focusing further on interactive filmmaking at this year's Future of Film Summit: www.futureoffilm.live

October 5, 2020

62 min

4.3 Virtual Production for Independent Filmmakers w/ Matt Workman

Matt Workman is at the forefront of the realtime filmmaking revolution - pioneering the uptake of the technology for independent filmmakers. Following a successful career as a DP of high profile music promos and commercials, Matt developed the hugely successful Cine Tracer app/game, built for filmmakers to learn, experiment and design in realtime. Now, Matt is driving forward virtual production, combining traditional cinematography techniques with realtime graphics using Unreal Engine - and in the process making these tools and workflows accessible to directors and cinematographers worldwide. In this interview Matt takes us through his creative journey to this nexus of technology and cinematographer and why he is so passionate about democratising virtual production technology. A leader in the virtual production community, Epic Games CTO Kim Libreri recently said on this show “Matt Workman is incredible”. To find out more about Matt and his prolific and inspirational output follow him on Twitter @cinedatabase.

September 24, 2020

50 min

Kim Libreri: Unreal Engine and the Revolution in Virtual Filmmaking

In this episode we get the inside track on the creative and technological revolution that is Virtual Production, with the CTO of Epic Games, Kim Libreri. Kim has a long and auspicious career in the film industry, digital technology and visual effects that spans over 20 years. He has credits on more than 25 films including ‘The Matrix' trilogy and is a two-time Academy Award winner to boot! Prior to joining Epic, Kim headed up Lucasfilm’s strategy where he was responsible for the company’s Star Wars technology. Now he is driving the adoption of Unreal Engine across the Entertainment industry with the techniques and systems known as Virtual Production and in-camera visual effects - showcased so brilliantly in Disney and Lucasfilm’s 'The Mandalorian'. Kim shares his thoughts on how virtual production and Unreal Engine will redefine the creative process and how the tools can be used for projects across a wide range of budget levels. More at www.futureoffilm.live

September 18, 2020

32 min

Diana Williams: Worldbuilding, Franchises and Authentic Storytelling for Independents

"Franchises are a way for the creator and creative to have long term sustainability in a crowded marketplace" Diana Williams In this episode we are delighted to welcome storyteller extraordinaire Diana Williams to the show. Diana is Executive Vice President of Creative at Maddison Wells Media's 'Universe' division. Twice been named on Fast Company's Top Ten Most Innovative Companies list, MWM have built their reputation in working across multiple formats including interactive, live events, television and, yes, even film! MWM Universe is devoted to developing IP and in her role, Diana is responsible for building creative content strategy, world-building, content production, and data analytics across multiple formats. In this episode we learn about Diana’s unique approach to storytelling, creative collaboration and developing IP with the potential to work on different platforms. This leads us to what Diana refers to as the ‘F word’ - franchises and she explains how this way of thinking can unlock new opportunities for independent storytellers in an increasingly competitive market. This episode was recorded as part of the free video series, Rebels of Storytelling (available at www.futureoffilm.live) and would not have been possible without the incredible support of Epic Games and Unreal Engine who are pioneering the transformation of storytelling on screen. We are also proud to partner with Creative England’s outstanding Creative Enterprise Programme. You can find out more about the Creative Enterprise Programme and the two new grant funds they have available for screen-based creative businesses at www.creativeengland.co.uk

September 7, 2020

50 min

3.12 The Future of Film Marketing

What is the future of film marketing? This episode provides answers with an expert panel of guest speakers from film, tech and entertainment. Some of the topics we cover in the conversation include: - digital marketing strategies - developing a direct to consumer strategy - how to test your digital marketing's effectiveness and measure attribution - what we film learn from other industries such as games and retail - launching film as a digital product - the impact of Covid on film marketing This episode originates from the usheru Future of Film Marketing Series and includes the following speakers: Catherine Downes: CMO and COO of usheru Ciaran O'Herlihy, a Digital Strategist and Google Product Partnerships manager Wendy Bernfeld, Founder and Managing Director RIghts Stuff Lucy Johnston, Founder of Bread and Butter Marketing Derren Sequeira, Client Partner Entertainment Facebook Ben Johnson: Founder and CEO of Gruvi See www.futureoffilm.live for more information.

July 23, 2020

40 min

3.11 Telling Stories Across Film and Games

Naysun Alae-Carew is Founder and Managing Director of Blazing Griffin, the pioneering Glasgow-based entertainment company which uses a format-agnostic approach to tell stories across film, games and TV. Speaking at the 2020 Glasgow Film Festival (just before the whole world changed), Naysun shares his insights on telling stories as both films and games - and the commercial and creative process that Blazing Griffin use to do this. He also shares the powerful personal story behind the making of the zombie-musical-comedy, Anna and the Apocalypse and provides unique insight on building an entertainment company ground up for today’s multi-platform digital age. With many thanks to Glasgow Film Festival for making this episode possible.

April 30, 2020

55 min

3.10 Can Tech Startups Save the Film Industry?

Can tech save the film industry? That's the question posed to three tech founders in this special episode of Film Disruptors, recorded live at the 2020 Berlin Film Festival. Nadira Azermai of Scriptbook, Maria Tanjala of Film Chain and usheru's Catherine Downes discuss their growing businesses and how they are bringing innovative solutions to film development, finance and distribution. This episode was produced during the 21st edition of the FilmTech Meetup Berlin, in collaboration with Filmtech Office www.filmtechoffice.com and EFM Horizon https://www.efm-berlinale.de/en/horizon/home/horizon, the European Film Market's platform focusing on the future of film business and new developments in the media and entertainment worlds Nadira Azermai Nadira Azermai is Founder of ScriptBook, a high-tech company that provides artificially intelligent screenplay analysis and box office forecasts. ScriptBook was conceived when Nadira wrote her Master’s thesis on using artificial intelligence to quantify story-parameters into a predictive model. This would enable content creators to assess their projects objectively and avoid financial failure. Nadira has been on a mission to unify art & artificial intelligence ever since. Maria Tanjala Maria's background is in film production, from line producing, budgeting to distribution. She is passionate about tech solutions that bring transparency and automation in the creative industries, creating a level playing field for creators and enterprises. Maria Tanjala founded alongside Irina Albita the FilmChain platform that collects, allocates and analyses revenues for film, TV and digital content on the blockchain, replacing the traditional collection services with transparent, real-time payments from viewers to filmmakers. In 2020 they won "Startup of the Year" at London Business Awards by Mayor of London. Catherine Downes Catherine is COO & CMO - usheru, the tech analytics company that specialises in film marketing. Catherine studied her undergraduate degree at Trinity in Business Studies and Political Science and holds a Masters in Human Rights and Criminology Justice from Queen’s University Belfast. After several years working in research in this area, she made a switch into the world of technology by joining Google in January 2008 and spent almost 7 years there, across different product groups. Her roles focused mainly on marketing, and sales partnerships. Her final role at Google saw her lead the global Google Certified Publishing Partner program which she worked on since inception and grew for almost 2 years across Europe and Asia, launching the first US partners before leaving to start usheru. Catherine co-founded usheru 5 years ago with Ollie Fegan and Andres Macias with the ultimate goal to connect film marketing to the box office, and to provide consumer insight for film distributors. Venture-backed usheru currently operates across Europe, with technology products for film distributors, national film bodies and cinemas - the company is eyeing a 2020 expansion into the US. Catherine speaks French, Spanish and Italian, and in a former life was even a snowboard instructor in Canada and an avid cycling road racer.

April 15, 2020

74 min

3.9 Where Next for Immersive Storytelling?

In this episode, I am joined by immersive media expert, Michel Reilhac. In a wide ranging conversation about storytelling and media, Michel provides deep insight into the current state of VR, both artistically and commercially, and shares his optimistic vision for where it is heading. Michel is Head of Studies at the Venice Biennale College and VR competition curator for the Venice Biennale International Film Festival. Between 2002-2012, Michel was Head of Cinema & Film Acquisitions at Arte France and executive director of Arte France Cinema, co-producing around 30 international independent feature films each year. Michel is a regular speaker on XR and immersive storytelling at international events, including the Cannes International Film Festival, SXSW, Tribeca Film Festival, TEDx, CPH:DOX, Power to the Pixel, FEMIS etc.

April 2, 2020

56 min

3.8 Future of Theatrical

This very special episode was recorded live at the New Cinema Conference 2019 at the EYE in Amsterdam. From across film and media I am joined by experts in their field to discuss the future of cinema and its place in the wider culture and industry. My esteemed guests are: - international VOD expert and Rights Stuff Founder Wendy Bernfeld - innovator, teacher and MD of the German Producers Association Erwin Schmidt - Acclaimed storyteller (and producer of one of my favourite films in recent years THE LUNCHBOX) Anurag Kashyap - Internationally recognised pioneer of VR and curator of Venice VR Days, Michel Rehihac In this conversation we look ahead to the next 5 years and explore the challenges and opportunities for cinema over that time. Drawing upon the guest's wide ranging experience and backgrounds, we discuss the innovations that could benefit the industry and how it can prosper in the wider context of the shifts in VOD, Production, Storytelling and Immersive Media. This episode was made possible with kind support of the New Cinema Conference.

November 14, 2019

46 min

3.7: The New Studio Model

Janet Brown is EVP Distribution at Gunpowder and Sky, the fast growing independent studio that is creating and distributing content across multiple formats and platforms. In this conversation from their New York offices, Janet describes how the young studio is designed ground-up for today’s shifting consumer landscape - and the new routes to market that now exist for storytellers. We also discuss the future (and recent history) of distribution as well as Janet's entrepreneurial journey at Film Buff, the company she co-founded and built that Gunpowder and Sky acquired in 2016.

October 30, 2019

50 min

Future of Film Podcast with Alex Stolz

About this podcast

Categories

About this podcast

Categories

Future of Film Podcast with Alex Stolz

Episodes

Mahin Ibrahim and Phillip Domfeh: Launching New Storytelling Talent

Jack Attridge: Reimagining the Film-Game Genre

HaZ: The Power of Realtime CG Animation

Jason Blum: The Business of Blumhouse

Jeff Gomez: Building Franchises, Transmedia Storytelling and the Collective Journey

Johanna Koljonen: How to Transform Storytelling Together

Kiri Hart: Star Wars and New Possibilities in Storytelling

Jess Engel: Diversify, Pivot, Innovate: New Strategies for Filmmaking

Shabnam Mogharabi: The Business of Impact Entertainment

John Gaeta: Immersive Worlds, The Matrix and Future Filmmaking

Sam Barlow: The Future of Interactive Filmmaking

4.3 Virtual Production for Independent Filmmakers w/ Matt Workman

Kim Libreri: Unreal Engine and the Revolution in Virtual Filmmaking

Diana Williams: Worldbuilding, Franchises and Authentic Storytelling for Independents

3.12 The Future of Film Marketing

3.11 Telling Stories Across Film and Games

3.10 Can Tech Startups Save the Film Industry?

3.9 Where Next for Immersive Storytelling?

3.8 Future of Theatrical

3.7: The New Studio Model