In which we discuss this nearly perfect film about growing up, being awkward, and the simple joy of creativity. We talk over the film’s intimate cinematography, its moments of total euphoria, and its quiet honesty. We get off on a tangent about Whiplash, La La Land, and music movies obsession with excellence, but then wrap it back to how We Are The Best Subverts these things. We also answer a few questions about Star Wars at the end.
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