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The Ezra Klein Show

The Foreign Policy Conversation Washington Doesn’t Want to Have

The Ezra Klein Show
The Ezra Klein Show

Everything about the Afghanistan withdrawal is tragic. But that tragedy is the result not of the withdrawal, but the occupation, and America’s profound misjudgment of its own power and limits.

This is the foreign policy conversation much of Washington is trying desperately to avoid. The answer for the horrors of war is always more war. The bomb attack at the Kabul airport on Thursday reflects this dynamic perfectly: It’s being wielded as a cudgel by those who support a permanent American occupation of Afghanistan, guaranteeing more U.S., and Afghan, casualties in a bloody, open-ended struggle with the Taliban. We are ever alert to the costs of our inaction, or absence, but not to the harms of our presence or policies.

Robert Wright is a journalist and author of, among other things, the excellent newsletter Nonzero, where he examines the assumptions that drive America’s foreign policy. We discuss the deeper history of American involvement in Afghanistan, the limits of America’s knowledge of other nations, why the foreign policy establishment retains its authority and influence, the hollowness of humanitarian justifications for remaining in Afghanistan, the dangers of too much bipartisanship, how the withdrawal could have gone both better or much worse, the emerging consensus around a possible cold war with China and much more.

Book recommendations:

The Best and the Brightest by David Halberstam

The Hell of Good Intentions by Stephen Walt

Frankenstein by Mary Shelley

If you enjoyed this episode, check out Ezra’s recent column: “Let’s Not Pretend That the Way We Withdrew From Afghanistan Was the Problem”

You can find transcripts (posted midday) and more episodes of "The Ezra Klein Show" at nytimes.com/ezra-klein-podcast, and you can find Ezra on Twitter @ezraklein.

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“The Ezra Klein Show” is produced by Annie Galvin, Jeff Geld and Rogé Karma; fact-checking by Michelle Harris; original music by Isaac Jones; mixing by Jeff Geld, audience strategy by Shannon Busta. Special thanks to Kristin Lin.

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