Met Opera Guild Podcast
About this podcast
Podcast by Metropolitan Opera Guild
About this podcast
Podcast by Metropolitan Opera Guild
Met Opera Guild Podcast
Ep. 178: Maria Callas Course Promo Episode
How did Maria Callas become a household name, and what happens when a singer’s vocal powers diminish? Who were Maria Callas’s contemporaries, and what stars have carried on her vocal legacy? Today lecturer Matthew Timmermans discusses Maria Callas and the Metropolitan Opera Guild Online Learning course that aims to examine these enduring questions about La Divina herself.
Ep. 177: Opera in England Part II
Known for operatic works such as Peter Grimes, Turn of the Screw, and A Midsummer Night’s Dream, Benjamin Britten drastically modernized opera in England, evolving it to become incredibly important in the operatic canon. Today on the Metropolitan Opera Guild podcast, lecturer Dr. Naomi Perley will explore why the works of Benjamin Britten have had such tremendous popularity.
Ep. 176: Die Frau ohne Schatten Talking About Opera
“Die Frosch” is the German word for “The Frog.” While Strauss may have playfully given this unfavorable nickname to Die Frau Ohne Schatten due to the many difficulties in staging the opera, he also regarded it as one of his greatest achievements, saying “it has succeeded nevertheless and has made a deep impression ... and music lovers, in particular, consider it to be my most important work.” On today’s episode of The Metropolitan Opera Guild Podcast, pianist Brian Zeger takes a closer look at this staple of the operatic repertoire.
Ep. 175: Opera in England Part I
John Blow, Thomas Arne, Henry Purcell, and George Fredric Handel all had great success composing in England. They all also have music strongly associated with British Monarchy - Blow, Arne, and Purcell all wrote Coronation Anthems and Arne wrote: “Rule Britannia”. Today we present the first of a two-part series on Opera in England. On this episode of the Metropolitan Opera Guild podcast, Stuart Holt explores these four composers in early British operatic history.
Ep. 174: Jazz and Opera Part II with Deidre Bird
Featuring jazz rhythms, blues, banjos, and African American spirituals, Gershwin’s Porgy and Bess challenged pre-existing notions of what an American opera could be. Although Porgy and Bess has a complicated history, Gershwin’s innovative music has had a lasting impact on opera. I’m your host, Stuart Holt, and on today’s episode of the Metropolitan Opera Guild podcast, lecturer Deidre Bird will explore how jazz played a role in making Porgy and Bess such a successful work. Many thanks to composer and performer Matt Herskowitz for his gracious contribution of an entirely original and improvised cadenza for this episode of the Metropolitan Opera Guild's podcast - www.mattherskowitzpiano.com
Ep. 173: Jazz and Opera Part I with Deidre Bird
In recent years, Didonato, Racette, and Upshaw have all released jazz albums, such as Songplay, Diva on Detour, and Winter Morning Walks. Sometimes we think that singers are either categorized as opera singers, or as singers of popular music, including jazz. However, these two genres are actually very closely linked together and share a lot of similarities. I’m your host, Stuart Holt, and on today’s episode of the Metropolitan Opera Guild podcast, lecturer Diedre Bird will discuss how aspects of jazz, such as improvisation, have also had a long-standing history in other forms of vocal music. This podcast also features Matt Herskowitz https://www.mattherskowitzpiano.com/
Ep. 172: Opera In The Soviet Era Part II
Opera, like all art, is frequently a reflection of the current political and social climate, and operas composed during the Soviet Era were no exception. Despite the oppressive environment, composers like Prokofiev managed to be extremely prolific during those times.
Ep. 171: Opera in the Soviet Era Part 1
In the 1930s there was a push to make Moscow the center of art and music, which started a cultural struggle between modern European innovation and the folk traditions of the past. On today's episode of the Metropolitan Opera Guild Podcast, guild lecturer Dr. Naomi Perley takes a closer look at the music of the Soviet era.
Ep. 170: Talking About Opera: Faust with Father Owen Lee
This classic tale of a man who makes an ill-advised deal with the devil has inspired many operas over the years, including Busoni’s Doktor Faust, Boito’s Mefistofele, and Lutz’s Faust et Marguerite. But no operatic version of this legend has come close to the instant success and enduring popularity of Gounod’s version. Today we have a pre-performance lecture from our “Talking about Opera” archives, featuring lecturer and writer Father Owen Lee, giving us an in-depth history and analysis of the music and creative inspiration behind this legendary work.
Ep. 168: Holiday Episode - LCE Staff Share Favorites
Whether you prefer operatic arias and classic carols, or more upbeat contemporary tunes, every home can hear holiday favorites sung by some of the worlds greatest opera singers. Today on the Met Opera Guild podcast, our Community Engagement staff will share highlights from their favorite albums from this time of the year.
Ep.167: Fidelio Pre-Performance Lecture with Philip Gainsley
Ludwig van Beethoven's only opera Fidelio had a long and complicated compositional history. In fact, Beethoven went through three different versions of the opera during his lifetime. No other composition gave him such frustration. So much so that he never attempted to write an opera again. Today we explore themes of freedom and love in Beethoven's only operatic work.
Ep.165: Il Trovatore: A Tale of Love and Revenge
Perhaps best known for its popular Anvil Chorus, Giuseppi Verdi's opera Il Trovatore has dazzled audiences since its premiere in 1853. Its intricate plot and dramatic music have helped it become a staple of the operatic repertoire. In this episode, composer, conductor, and lecturer Victoria Bond guides us through this thrilling work.
Ep. 162: Opera in the New Millennium - Interview with Prestini, Puts, and Mazzoli
How do composers pick subject matter for a new opera? What is the composing process like? How does a composer work with a librettist? How much time do composers get to create an opera? In this episode of The Metropolitan Opera Guilld Podcast, we explore all of those questions and more in the release of an archival recording from 2017! This event featured a live interview panel as part of our Opera in the New Millennium program, when lecturers Naomi Barrettara and Elspeth Davis sat down with composers Missy Mazzoli, Paolo Prestini, and Kevin Puts to learn more about their work as contemporary opera composers. (Please Note: Due to the live and archival nature of the original recording, there were some microphone glitches throughout the track. We have attempted to balance the recording and smooth out glitches as much as possible for this episode!) Track photo credits (from left to right): Paola Prestini, by Caroline Tompkins Kevin Puts, by David White Missy Mazzoli, by Caroline Tompkins
Ep. 161: 21st-Century Opera Survey, Part 2, with Naomi Barrettara & Elspeth Davis
From Pulitzer Prize winner Du Yun, to musical mainstay Nico Muhly, to broadway superstar Jeanine Tesori, composers are changing the perception of what an opera can be. On this episode of The Metropolitan Opera Guild Podcast, lecturers Naomi Barrettara and Elspeth Davis continue with the second part of a two part-series from our archives, on contemporary composers and opera’s that are changing the music scene as we know it.
Ep. 160: 21st-Century Opera Survey, Part 1, with Naomi Barrettara & Elspeth Davis
What will opera look like in 10 years? 20 years? It’s hard to predict, but one thing is for sure: there’s a whole new generation of composers creating new innovations in expression, composition, and performance. For this episode of The Metropolitan Opera Guild Podcast, we have pulled a series of live event recordings from our archives to share, featuring lecturers Naomi Barrettara and Elspeth Davis as they guide us through a two-part survey of contemporary works that are poised to be future classics of the genre. Date of event recording: 2017-18 season. Timeline referenced in the lecture can be found at https://prezi.com/p1gza7i3aknm/opera-history-timeline/ .
Ep. 159: Evolution of German Opera with Victoria Bond
The evolution of German opera can be traced through the works of well known composers such as Handel, Mozart, Beethoven, and Wagner, as well as lesser known names in the opera canon, such as Schubert, Carl Maria von Weber, and Karlheinz Stockhausen. In this episode, composer, conductor, and lecturer Victoria Bond dives into the influential history and evolution of German opera throughout Western music.