In this story, there are two sisters: one introverted, frail, and bookish; the other dominant, opinionated, and politically active. In meeting them, an accomplished artist seems to be confronted with a dilemma. Should art subordinate itself to the project of creating a just society? Or should it focus on serving more spiritual needs? These questions make Chekhov’s “The House with the Mezzanine” an interesting meditation on the relationship between politics and the arts, and whether the windows of our proverbial dwellings are best used to illuminate a new path forward, or to articulate the beauty of the world as it is.
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