As war loomed in Europe, the poet W.H. Auden left Britain for the United States. One of the poems he wrote just before leaving is about the nature of human suffering—or as Auden puts it, the “human position” of suffering: for the most part, it happens invisibly, and the procession of ordinary life leaves it unacknowledged. Yet, the representation and transcendence of suffering are tasks important both to religion and the arts. Is suffering’s “human position” something that can be redeemed? Wes and Erin discuss Auden’s poem Musée des Beaux Arts.
The podcast SUBTEXT Literature and Film Podcast is embedded on this page from an open RSS feed. All files, descriptions, artwork and other metadata from the RSS-feed is the property of the podcast owner and not affiliated with or validated by Podplay.