Material Girls is on Spring Break! But don't fret! We unlocked an episode of Making Worlds, our Patreon-exclusive video podcast hosted by Hannah McGregor. Making Worlds is dedicated to the liberatory possibilities of other worlds! In each episode Hannah speaks with a guest (or two) about a sci-fi, fantasy, speculative fiction, or magical realism text that has changed the way they view the world. In this episode, Hannah talks with scholars (and friends) Lucia Lorenzi (she/they), and Clare Mulcahy (she/her) about Dimension 20! They explore the intimacy of collaborative world-making and the magical possibilities of pretending together. Then Lucia and Clare share what they take from Dimension 20 into their own lives. It’s a heartfelt discussion between three friends who really love Dimension 20, so get cozy and enjoy! If you want more Making Worlds, become a Patreon supporter at Patreon.com/ohwitchplease. If you want more Witch, Please Productions, head to ohwitchplease.com for transcripts, reading lists, and merch! You can follow us on Instagram @ohwitchplease for reels and other fun content! And you can follow our Substack which features a monthly newsletter called The Monthly Hoot where you get access to an assortment of recommendations, podcast updates, and monthly playlists. We also release behind-the-episode newsletters that delve into the research process for our public scholarship. Go to ohwitchplease.substack.com to subscribe for free. Music Credits: Special thanks to Jay Arner and Jessica Delisle who wrote our theme song! Used by permission. All rights reserved. Hosted on Acast. See acast.com/privacy for more information.

Like the serious academics they are, Hannah and Marcelle not only researched Disney in academic journals, they also went to the happiest place on earth! They made custom Theodor Adorno t-shirts, scooped Marcelle's eight-year-old and Gender Playground co-host, Raimi Marx, and wen on their way! In this bonus episode, they answer your questions about the experience. Sharing one mic, Raimi, Marcelle and Hannah talk about managing expectations, capitalism's hold on joy, the relationship between surrealist world-making and psychedelics and so much more! If you enjoy this episode, head over to Patreon.com/ohwitchplease for Part II! The rest of the conversation is available at all our tiers. For just $5 USD/month you'll have access to the rest of this conversation (including the story about Robbie — the Disney employee who made a bad day better), all the bonus perks we've already released, and Hannah's new video podcast, Making Worlds. And, if you enjoyed this episode, please share it with family and friends! Word-of-mouth is the primary way we reach new listeners who are interested in feminist materialist critique, pop culture and laughing at and from within *the discourse.* Share the show today! *** Material Girls is a new show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand. We'll be back in one week for a regular episode! *Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment. Music Credits: “Shopping Mall”: by Jay Arner and Jessica Delisle ©2020 Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

What drove Hannah and Marcelle to go to Disneyland? And what is with all the rainbow Mickey ears? And where does pinkwashing end and real change begin? Tune into this episode about the happiest place on earth to find out! In this episode, Marcelle leads Hannah through a history of the term pinkwashing. She then draws on an article by Karine Duplan called “Pinkwashing Policies or Insider Activism? Allyship in the LGBTIQ+ Governance–Activism Nexus,” to better understand what leads to making public spaces inclusive for queer and trans folks. Together, Hannah and Marcelle think through their own pleasure in experiencing Disneyland, while dissecting the tension between corporations' bottom lines and the value of representation and inclusivity. Ultimately, Marcelle and Hannah consider: if pinkwashing is by necessity surface-level public image campaigning that masks ongoing harm, is Disney doing something different? You can learn more about Material Girls at ohwitchplease.ca and on our instagram at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca. We'll be back next week with a bonus episode, but until then, we mean it — go check out all the other content we have on our Patreon at Patreon.com/ohwitchplease! *** Material Girls is a show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand. *Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment. Music Credits: “Shopping Mall”: by Jay Arner and Jessica Delisle ©2020 Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

We're thrilled to be joined by Anne Helen Petersen for this episode about the popularity of athleisure! If you don't already know, Anne Helen Petersen (she/her) is the incredible writer, journalist and recovering academic behind the beloved newsletter Culture Study. She is the host of a brand new podcast of the same name and the author of four books, most recently Out of the Office: The Big Problem and Bigger Promise of Working From Home (co-written with Charlie Warzel) and Can’t Even: How Millennials Became the Burnout Generation. Together we begin with a history lesson from Hannah about WWII's effect on the fashion industry, particular women's clothing and the rise of spandex. Hannah offers some insight from cultural critic Jia Tolentino and her essay, "Athleisure, barre and kale: the tyranny of the ideal woman." We then move on to some helpful framing from theorist Michelle Foucault, sociologists Daniel Nehring and Anja Röcke, and feminist scholars Julie Brice and Holly Thorpe. We talk neoliberalism, fatphobia, and, of course, our culture's obsession with optimization. We end with an honest discussion about the role of pop culture analysis in helping us navigate the murky waters of ideology. We loved having Anne on the show and if you like this episode, we recommend heading to patreon.com/ohwitchplease for more! Anne joins us for two perks you DO NOT want to miss. And of course, you can find more of Anne's specific, timely and thoughtful writing all over the internet @annehelenpetersen! You can learn more about the show at ohwitchplease.ca and on our instagram at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca. We'll be back in two weeks for another episode, but until then, we mean it — go check out all the other content we have on our Patreon at Patreon.com/ohwitchplease! *** Material Girls is a show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand. *Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment. Music Credits: “Shopping Mall”: by Jay Arner and Jessica Delisle ©2020 Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

For this episode, we're joined by the incredible Karen Tongson, Professor of Gender & Sexuality Studies, English, and American Studies & Ethnicity at the University of Southern California. She is the author of Why Karen Carpenter Matters and Relocations: Queer Suburban Imaginaries. Her newest book, normporn: Queer Viewers and the TV That Soothes Us provides theory for this episode about the beloved TV show, Gilmore Girls. We begin with a discussion of the early 2000s postfeminist Bush era that defined the early days of Gilmore Girls. Karen then offers some insight into the viewing practices of queer adults who have returned to this show en masse over the last two and a half decades since its pilot aired. We talk about the appeal of the Gilmore girls themselves, the tragedy of Lane Kim's journey into adulthood, the conservative reproductive politics that shape the show and the phenomenon of queer viewers finding both a pleasure and a shame in consuming sentimental content that showcases a fantasy of assimilation and acceptance. normporn: Queer Viewers and the TV That Soothes Us (NYU Press) was released in November 2023 and is available now! You can find more of Karen on her two podcasts, Waiting to X-Hale and The Gaymazing Race, and on Instagram@tongsonator. We'll be back in two weeks for another episode, but until then, be sure to check out all the bonus content we have on our Patreon at Patreon.com/ohwitchplease. You can learn more about the show at ohwitchplease.ca and on our instagram at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca. *** Material Girls is a show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand. *Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment. Music Credits: “Shopping Mall”: by Jay Arner and Jessica Delisle ©2020 Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

Remember about fifteen years ago when we all went a little nuts for sweet potato fries? What was going on there? Well it turns out, that beloved appetizer was more than a tasty treat circa 2007. In this episode, Marcelle leads Hannah through research about the “orange-flesh sweetpotato” and its relationship to GMOs, cash crops, fat phobia and food imperialism. She pulls on the work of Joe Kobuthi for an analysis of food systems that informs her understanding of the sweet potato's zeitgeist-y moment.and she ends with a thesis that's got quite a bite to it. We'll be back in two weeks for another episode, but until then, be sure to check out all the bonus content we have on our Patreon at Patreon.com/ohwitchplease. You can learn more about the show at ohwitchplease.ca and on our instagram at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca. *** Material Girls is a show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand. *Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment. Music Credits: “Shopping Mall”: by Jay Arner and Jessica Delisle ©2020 Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

Do you play D&D? Do you have a friend who does, but you don't totally *get* what it is? Did you see the recent film Dungeons and Dragons: Honor Among Thieves and think "wow, that role playing game went MAINSTREAM!?" Then this episode is sure to satisfy your curiosity about this zeitgeisty game! Hannah, who herself plays D&D, leads Marcelle through a history of the tabletop role-playing game created by Dave Arneson and Gary Gygax, tracing its origins all the way to Dungeons & Dragons 5E (the most recent edition). They then use ludology, the study of games and gaming, to understand the unique role D&D has at the intersection of gaming and narrative. And then, as always, the episode is wrapped up with a beautifully tied together thesis (from Hannah) about the transformation, or rather, realization of the game through the radical acts of people playing it. To learn more about the research that went into today's episode, be sure to follow Witch, Please Productions on Substack at https://ohwitchplease.substack.com! And if you like our show, please share it with family and friends! Word-of-mouth is the primary way we reach new listeners who are interested in feminist materialist critique, pop culture and laughing at and from within *the discourse.* We'll be back in two weeks for another episode, but until then, be sure to check out all the bonus content we have on our Patreon at Patreon.com/ohwitchplease. You can learn more about the show at ohwitchplease.ca and on our instagram at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca. *** Material Girls is a show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand. *Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment. Music Credits: “Shopping Mall”: by Jay Arner and Jessica Delisle ©2020 Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

There was so much more to say about Wonka and Twilight. In Part I of this bonus episode (aka a 'Material Concern' episode), we talk about fatphobia in children's literature, the "representation" of indigeneity in Stephanie Meyer's the Twilight Saga, and so much more. If you enjoy this episode, head over to Patreon.com/ohwitchplease for Part II! The rest of the conversation is available at all our tiers. For just $5 USD/month you'll have access to the rest of this conversation, all the bonus perks we've already released, and Hannah McGregor's new video podcast, Making Worlds. And, if you liked this episode, please share it with family and friends! Word-of-mouth is the primary way we reach new listeners who are interested in feminist materialist critique, pop culture and laughing at and from within *the discourse.* Share the show today! *** Material Girls is a new show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand. We'll be back in one week for a regular episode! *Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment. Music Credits: “Shopping Mall”: by Jay Arner and Jessica Delisle ©2020 Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

Are you Team Edward or Team Jacob or some secret third option?** Marcelle asks this question only at the very end of the episode, and you know why? Because there is so much more to discuss when it comes to Stephanie Meyer's Twilight. And who better to dig into this novel's plot and place in pop culture than Jackson Bird (he/him) who, over fifteen years ago, was a Twi-hard. If you frequent fan spaces, you might know Jackson through his previous work with Harry Potter Alliance or his very popular Youtube channel. Or perhaps you know him from guest spots on the podcast Harry Potter and the Sacred Text, his own (now retired) podcast Transmission, his 2017 Ted Talk (How to Talk and Listen to Transgender People), or his book, Sorted: Growing Up, Coming Out, and Finding My Place. Or maybe he's a new person to you, in which case, you're welcome — he rocks! In this conversation, Marcelle, Hannah and Jack discuss what was going on in 2005 that primed Twilight for such wide success. They ask: Why were young readers so hungry for a character like Bella? What does the plot of the novel suggest about the reading appetite of millennial readers coming of age in an era defined by impossible beauty standards and purity politics? When we refuse to disregard the interests, passions and literary preferences of young people, what can we discover about one another, our culture and ourselves? To learn more about the research that went into today's episode, be sure to follow Witch, Please Productions on Substack at https://ohwitchplease.substack.com! And if you like our show, please share it with family and friends! Word-of-mouth is the primary way we reach new listeners who are interested in feminist materialist critique, pop culture and laughing at and from within *the discourse.* AND, if you want to participate in our Q&A episodes, be sure to follow us on Instagram @ohwitchplease to submit your inquiries! **Team Bella!?! *** Material Girls is a show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand. We'll be back in two weeks for another episode, but until then, be sure to check out all the bonus content we have on our Patreon at Patreon.com/ohwitchplease. You can learn more about the show at ohwitchplease.ca and on our instagram at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca. *Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment. Music Credits: “Shopping Mall”: by Jay Arner and Jessica Delisle ©2020 Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

We're so excited to announce that our new show, Making Worlds, begins January 25th! This video podcast, hosted by Hannah McGregor (maybe you know them?!?), will be released monthly via our Patreon. In each 30ish-minute episode, a guest will bring Hannah a text that has helped them imagine the liberatory possibilities of another world. We’re talking sci-fi, fantasy and speculative fiction! Hot!!!! Our first episode? Why it simply had to be about Our Flag Means Death! What says liberatory possibility more than gay pirates!? And, we're really lucky to have writer Hope Rehak as our first guest. That name sound familiar? Well that's probably because she's kind of beloved on the internet for, among other things, her OFMD content! She's also Coach's sister. :) The episodes we’ve recorded so far have been full of passion, enthusiasm, and genuine joy and we can’t wait for you to see them. Audio-only versions will be available on Patreon as well, but you should tune into the video versions if you’re able. Hannah’s makeup is worth it. Want to see our logo? Subscribe to our Substack or our Youtube channel. Want to get access to the show? Become a Patreon supporter at patreon.com/ohwitchplease for just $54 USD/year. Have questions about what's going on with our other to-be-launched show Gender Playground? Answers are in the Substack! Special thanks to Jay Arner and Jessica Delisle who wrote our theme song! Used by permission. All rights reserved. Hosted on Acast. See acast.com/privacy for more information.

In this week's episode, we're joined by the incredible Leena Norms (she/her) to talk about Timothée Chalamet's latest venture: Wonka. This holiday blockbuster from director Paul King (Paddington, Paddington 2) made many people on the internet cringe even before it's release in mid December. It was notably in the *discourse* through memes and tweets that suggested Kylie Jenner perhaps got 'the ick' from Timmy's performance. The good news is that Marcelle, Hannah and Leena went to go see the movie opening weekend, so you don't have to! Unless, like Marcelle, you want to see it TWICE. In this conversation, Marcelle, Hannah and Leena discuss Netflix's collaboration with the Roald Dahl Story Company (and Taika Waititi's connection!), Dahl's legacy in Britain's cultural imagination, and the lengths studios go to keep his work relevant to new audiences despite the rampant fat phobia and antisemitism within his texts. They talk Noodle, the notable absence of chocolate from the film's marketing, the Jewish writers behind the script, and, of course, Hugh Grant the Oompa Loompa. To learn more about the research that went into today's episode, be sure to follow Witch, Please Productions on Substack at https://ohwitchplease.substack.com! And if you like our show, please share it with family and friends! Word-of-mouth is the primary way we reach new listeners who are interested in feminist materialist critique, pop culture and laughing at and from within *the discourse.* *** Material Girls is a show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand. We'll be back in two weeks for another episode, but until then, be sure to check out all the bonus content we have on our Patreon at Patreon.com/ohwitchplease. You can learn more about the show at ohwitchplease.ca and on our instagram at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca. *Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment. Music Credits: “Shopping Mall”: by Jay Arner and Jessica Delisle ©2020 Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

Witch, Please Productions is on break for the holidays! Of course we still wanted to put some fun content out while we’re away from our computers, so we recorded a holiday bonus that features Gaby, Zoe, Hannah, Marcelle and Coach mostly speaking over one another while they attempt to play Material Pursuit — a game of trivia that Marcelle created by pulling on content from Material Girls and our previous show, Witch, Please. If you want to listen to the whole thing, you can! For free! Just head to patreon.com/ohwitchplease and you’ll see the UNLOCKED post. It’s titled: Merry-terial Girls: An Incomprehensible Holiday Bonus! Thank you so much for your support as we transitioned to our new show this year. We’re so excited for more Material Girls in 2024 — and a couple of fun surprises we have up our sleeves, too! Happy holidays! *** Material Girls is a new show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand. We'll be back in two weeks for another episode, but until then, be sure to check out all the bonus content we have on our Patreon at Patreon.com/ohwitchplease. You can learn more about the show at ohwitchplease.ca and on our instagram at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca. Music Credits: “Shopping Mall”: by Jay Arner and Jessica Delisle ©2020 Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

One of Marcelle's favorite books is The Night Circus, so she decided to be brave and do an entire episode about the best-selling fantasy novel by Erin Morgenstern. Why brave? Well because sometimes it's hard to think critically about something you love! We all know that. ;) This episode, Marcelle leads us through a quick chat about how the book was set up for success in 2011, followed by some theory about reading ecosystems from Book Was There: Reading in Electronic Times by Andrew Piper. And then, of course, she applies her brilliant mind to a brilliant thesis! If you like our show, please share it with family and friends! Word-of-mouth is the primary way we reach new listeners who are interested in feminist materialist critique, pop culture and laughing at and from within *the discourse.* *** Material Girls is a new show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand. We'll be back in two weeks for another episode, but until then, be sure to check out all the bonus content we have on our Patreon at Patreon.com/ohwitchplease. You can learn more about the show at ohwitchplease.ca and on our instagram at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca. *Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment. Music Credits: “Shopping Mall”: by Jay Arner and Jessica Delisle ©2020 Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

We hit our fundraising goal for Palestine Children’s Relief Fund in October and this is the bonus episode we promised as a thank you for your support. As of today, you, our listening community, have raised $8900 — and our goal was $5000! That’s incredible and we’re so grateful for your resource sharing and messages of solidarity.  This bonus episode is a conversation between Marcelle and Hannah about a paper Marcelle published in 2015 called Comic relief: the ethical intervention of 'Avodah 'Aravit (Arab Labor) in political discourses of Israel–Palestine. The text of the article available for you on our episode page at ohwitchplease.ca. You can read it by heading to our site, or just listen to Marcelle read the abstract in the opening part of the episode. Here is the direct link: https://www.ohwitchplease.ca/all-episodes/materialgirls-sitcomandreframingisraelpalestine As a heads up, this paper was written in 2014 in response to anti-Arab and anti-Palestinian racism in North America. That racism wasn’t new in 2014, and it remains powerful and widespread today, amplified by the mainstream media’s dehumanizing portrayals of Palestinians in its coverage of the so-called “Israel-Hamas war.” Marcelle's conversation with Hannah is very much about that racism and that dehumanization; about the discourses that perpetuate dehumanizing stereotypes about Palestinians and Arabs. You may not have the spoons for this conversation right now, and that’s ok! It’ll be here for you when you’re ready, and you’re always welcome to pass the episode along to someone who’s looking for more information about the crisis. Thanks again for supporting Witch, Please Productions and our collective contribution to the urgently needed financial aid for Palestine Children’s Relief Fund. The link to contribute is here: https://pcrf1.app.neoncrm.com/ohwitchplease. We'll be back next week with an episode about pop culture. *** Music Credits: “Shopping Mall”: by Jay Arner and Jessica Delisle ©2020 Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Show less Hosted on Acast. See acast.com/privacy for more information.

At Material Girls, we’ve been thinking a lot about the idea of using social media for social change and what those calls imply about the role of social media in our collective imaginations. And so, in the spirit of always historicizing, we recorded this episode to look back on the Black Lives Matter protests of 2020 and, specifically, to an online event known as Blackout Tuesday. If you were one of the people who posted a black square on your Instagram account — or someone who thought about it but didn't — this episode is for you! Hannah offers some really helpful insight pulling on Jia Tolentino's essay, "The I in Internet," the work of sociologist Irving Goffman, Montreal-based scholar Kelsey Blair and Canadian author and activist Naomi Klein. Together, Hannah and Marcelle dig into what it means that our social media tools, regardless of how they are used, are corporately-owned. To learn more about Hannah's research for this episode and to read Witch, Please Productions' statement on Israel and Palestine, head to https://ohwitchplease.substack.com/. And, if you like our show, please share it with family and friends! Word-of-mouth is the primary way we reach new listeners who are interested in feminist materialist critique, pop culture and laughing at and from within *the discourse.* *** Material Girls is a new show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand. We'll be back in two weeks for another episode, but until then, be sure to check out all the bonus content we have on our Patreon at Patreon.com/ohwitchplease. You can learn more about the show at ohwitchplease.ca and on our instagram at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca. *Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment. Music Credits: “Shopping Mall”: by Jay Arner and Jessica Delisle ©2020 Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

We had to talk about Taylor Swift more — especially as so many of you had great comments, feedback and specific inquiries! We structured this bonus like our usual Patreon-only Q&A episodes, except this time we only answered questions you submitted about Ms. Taylor Allison Swift. We talk Gay-lore, billionaires, private jets, the Jets and holding many feelings at once. Part II of this bonus will be available on Patreon this week to all of our tiers! Join today for just $5 USD/month to get the rest of the conversation in your feed and for all the bonus perks we've already released! Head to Patreon.com/ohwitchplease! And, if you liked this episode, please share it with family and friends! Word-of-mouth is the primary way we reach new listeners who are interested in feminist materialist critique, pop culture and laughing at and from within *the discourse.* Share the show today! *** Material Girls is a new show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand. We'll be back in one week for a regular episode! *Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment. Music Credits: “Shopping Mall”: by Jay Arner and Jessica Delisle ©2020 Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

We're so lucky to be joined this episode by Erin Keif (she/her) of the beloved Headgum podcasts Hey Riddle Riddle and Sitcom DnD. If you're a fan of Les Mis, or any musical, you'll appreciate this really special episode that covers Stuart Hall's theory of encoding/decoding, while also getting into the lyrics and musicality of the megamusical: Les Misérables. Hannah guides Marcelle and Erin through a history lesson that covers Thatcherite England and defunding of the arts in the 70s and 80s, while bringing her own relationship to Claude-Michel Schönberg's music and Alain Boublil's lyrics into the conversation. Erin, a musical enthusiast (among other things), brings some much-needed levity (as well as a catchphrase) to a discussion that touches on some more difficult themes including: death, parental loss, and violence against the oppressed. If you like our show, please share it with family and friends! Word-of-mouth is the primary way we reach new listeners who are interested in feminist materialist critique, pop culture and laughing at and from within *the discourse.* Share the show today! *** Material Girls is a new show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand. We'll be back in two weeks for another episode, but until then, be sure to check out all the bonus content we have on our Patreon at Patreon.com/ohwitchplease. You can learn more about the show at ohwitchplease.ca and on our instagram at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca. *Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment. Music Credits: “Shopping Mall”: by Jay Arner and Jessica Delisle ©2020 Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

Given last week's release of 1989 (Taylor's Version), we just had to have Swiftie and Tay-lore expert Margaret H. Willison (she/her) on the show to talk about one of the (if not THE) most influential pop stars of the last decade. We start with a conversation about Taylor as an artist and Margaret provides context to help us understand how and why Taylor's Eras Tour and the 10 studio albums that led to it have created such a buzz. Then Marcelle leads Hannah and Margaret through Lauren Berlant's theory of intimate publics with an eye towards the Swiftie fandom and Taylor's fluid feminist politic. We finish the episode with Marcelle's incredible thesis and a discussion about capitalism, what makes an icon and what might be next for Swift. Margaret H. Willison is a frequent guest on NPR's Pop Culture Happy Hour, a freelance writer and cultural critic, and one of three women behind the beloved Substack Two Bossy Dames. She is a friend of the show and if you want to know more about her, you can find her @MrsFridayNext on Instagram! If you like our show, please share it with family and friends! Word-of-mouth is the primary way we reach new listeners who are interested in feminist materialist critique, pop culture and laughing at and from within *the discourse.* Share the show today! *** Material Girls is a new show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand. We'll be back in two weeks for another episode, but until then, be sure to check out all the bonus content we have on our Patreon at Patreon.com/ohwitchplease. You can learn more about the show at ohwitchplease.ca and on our instagram at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca. *Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment. Music Credits: “Shopping Mall”: by Jay Arner and Jessica Delisle ©2020 Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

Why is Star Wars so popular? What were the material conditions that set the first film, A New Hope, up for success in 1977? What can a Marxist critique help us understand about the film? In this episode, Marcelle leads Hannah through a conversation about one of her favorite franchises by first taking a close look at George Lucas's politics and the state of Hollywood in the 1970s. Marcelle and Hannah then think through the movie's seemingly progressive narrative — and the way it's been co-opted by people of all political views. Pulling on the work of Theodor Adorno and Max Horkheimer, Marcelle offers a Marxist reading of the film's lasting legacy and asks: what is conservative about the film? How does the film work to undermine and/or reinforce the ideology of repressive state apparatuses? If you like our show, please share it with family and friends! Word-of-mouth is the primary way we reach new listeners who are interested in feminist materialist critique, pop culture and laughing at and from within *the discourse.* Share the show today! *** Material Girls is a new show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand. We'll be back in two weeks for another episode, but until then, be sure to check out all the bonus content we have on our Patreon at Patreon.com/ohwitchplease. You can learn more about the show at ohwitchplease.ca and on our instagram at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca. *Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment. Music Credits: “Shopping Mall”: by Jay Arner and Jessica Delisle ©2020 Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

In this episode we talk about Bridgerton with a very special guest — Vanessa Zoltan. We discuss Bridgerton the book series and its move into the mainstream through the Shondaland adaptation on Netflix. Vanessa gives us some insight on romance fiction as a genre and Hannah leads us through theory from Janice Radway's book Reading the Romance. If you like Romance novels and/or juicy television, this episode is for you! We think through the radical possibilities of romance reading, how we can make sense of certain recurring tropes and what we may learn from the rise in romance reading since 2020. Come for the theory, stay for Hannah saying Vanessa's life is a combination of "stern daddy" and "chaotic women." To learn more about Vanessa Zoltan, you can head to notsorryworks.com or vanessazoltan.com. If you like our show, please share it with family and friends! Word-of-mouth is the primary way we reach new listeners who are interested in feminist materialist critique, pop culture and laughing at and from within *the discourse.* Share the show today! *** Material Girls is a new show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand. We'll be back in two weeks for another episode, but until then, be sure to check out all the bonus content we have on our Patreon at Patreon.com/ohwitchplease. You can learn more about the show at ohwitchplease.ca and on our instagram at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca. *Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment. Music Credits: “Shopping Mall”: by Jay Arner and Jessica Delisle ©2020 Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.