We talk to the Director, Producer and Wētā FX team from the Oscar winning short: War is Over: Inspired by the Music of John & Yoko

Ian Spriggs is an unbelievable digital artist creating the most believably insightful portraits.

Masters of the Air VFX supervisor Stephen Rosenbaum and Mike's 1000th podcast here at fxguide

At this the start of award season, we talk to ILM's Alex Wuttke about Mission: Impossible – Dead Reckoning Part One.

We talk to Union VFX about their work with miniatures, LED volumes, and how to fit the head of a pig on the body of a Chicken(!) for the remarkable: Poor Things.

We talk with Peter Kirkup, disguise solutions director, about how U2's 16K LED visuals at The Sphere were created.

Confused about what the actual legal situation on generative AI? We do a deep dive into the new Laws around governing AI with Dr Brandie Nonnecke at Berkeley Law.

We talk to The Creator Director Gareth Edwards, ILM VFX Supervisor Jay Cooper, ILM on-set VFX Supervisor Andrew Roberts, and Animation Supervisor Michael Midlock.

Territory Studio's co-founder Marti Romances discusses design and sitting between Art Department and VFX

We talk to the multi-Oscar winning Rob Legato about Second Unit Directing and his hit new flm: Equalizer3. (Spoiler free)

Andor is one of the finest Star Wars shows ever made. We speak to ILM's VFX sup. Scott Pritchard. Including 7 videos with over 40 plate photography and final comp shots.

We talk in-depth with Production VFX Supervisor Andrew Jackson about the special and visual effects of Oppenheimer.

We go behind the lens to talk to DOP Ed Moore about the filming of the hit new show Hijack

Our technical report and coverage from Cupertino of the Apple Vision Pro.

We talk to Stephane Ceretti, Production VFX Supervisor of the brilliant Guardians of the Galaxy Volume 3.

We talk to Wonder Dynamics 2 co-founders VFX Sup Nikola Todorovic and Tye Sheridan (the star of Ready Player One and X-men).

Oscar Nominated Craig Hammock discusses Black Panther: Wakanda Forever.

Ryan Laney is to receive a commendation (special plaque) for his inventive use of AI facial technology to give a digital “veil” to protect identities while preserving facial emotion in documentary filmmaking.

Move.ai makes markerless motion capture with iPhones that match existing tech using incredible machine learning, (and may soon exceed it)

We report from LA on the 95th Academy Awards VIsual Effects Bake-off.