The Tragically Hip have been called the most Canadian band in the world. Now, a new four-part documentary series called “The Tragically Hip: No Dress Rehearsal” gives the most extensive look into the band ever put on screen. It’s directed by filmmaker Mike Downie, who’s the older brother of The Hip’s late frontman, Gord Downie. The series kicked off the Toronto International Film Festival in advance of its Prime Video debut next week. Mike along with band members Johnny Fay and Gord Sinclair sit down with Tom to talk about it.

Caity Gyorgy is a Juno-winning jazz singer who’s originally from Calgary. Earlier this month, she released a new album, titled “Hello! How Are You?” Caity joins Tom in the Q studio to talk about the record and her love of scatting, plus, she sets up a song for us.

The Canadian jazz pianist Oliver Jones turns 90 today. Tom visits Oliver at his home in Montreal to talk about his legacy in Canadian music, his relationship with his hero and role model Oscar Peterson, the time he played for Nelson Mandela, and what the secret is to continuing to play music in your 90s. 

In the new film “Out Come the Wolves,” all of our greatest fears about being stranded — and hunted — in the wilderness come to life. The Canadian writer, director and actor Enuka Okuma wrote the screenplay. She joins guest host Talia Schlanger to talk about tapping into fear to create this movie.

Yann Martel’s Booker Prize-winning novel “Life of Pi” has been adapted into a Tony award-winning play that’s on stage now in Toronto. The bestselling Canadian author joins Tom to reflect on how the story came to be, his discovery about art and religion that brought him “back to life,” and why he wants to push you to be a bit less reasonable.

Since releasing his critically acclaimed album “Boat Songs” in 2022, the singer-songwriter MJ Lenderman, also known as Jake Lenderman, has been getting a lot of attention. Now, he’s back with his much-anticipated fourth solo album, “Manning Fireworks.” MJ joins Tom to talk about the record and what it’s like to deal with the heightened expectations that come with success.

In the late ‘80s, Paula Abdul helped define what a pop star could be, from dance to music to performance. If you were watching music videos at that time, you would have seen her on your screen. If you weren’t around for that, you may remember her as one of the original judges on “American Idol” from 2002 to 2009. Paula sits down with guest host Talia Schlanger to reflect on how she was discovered by the Jackson family, what it was like choreographing for some of the biggest superstars in the world while she was still a cheerleader for the Los Angeles Lakers, and her philosophy as a mentor.

Though she’s been called Canada’s original cowboy punk, k.d. lang has had a long and complex relationship with country music. When she got her start as a singer in Edmonton, she didn’t fit the mold of who people thought a country artist should be. Now, k.d. is being inducted into the Canadian Country Music Hall of Fame. She sits down with guest host Talia Schlanger to reflect on her history with the genre, from her early days channelling Patsy Cline to her thoughts on country music today.

As a visionary director and self-professed loner, Tim Burton has spent decades channelling the angst and loneliness he felt as a child into hit movies like “Edward Scissorhands” and “The Nightmare Before Christmas.” But it was his outlandish 1988 movie “Beetlejuice” that set his career into motion and proved to Hollywood that being weird was an asset, not a problem. Now, 36 years after the original “Beetlejuice,” the film’s long-awaited sequel, “Beetlejuice Beetlejuice,” has finally hit theatres. Tim joins guest host Talia Schlanger to discuss the new movie, how it helped him rediscover his love of filmmaking after a creative slump, and his on-again, off-again relationship with Disney.

Thirty-six years ago, Catherine O'Hara stepped onto a movie set and fell in love with a production designer who would later become her future husband. The movie was a dark fantasy comedy called “Beetlejuice,” directed by a then-fledgling filmmaker named Tim Burton. After the film’s release, both she and Burton became household names. Now, a sequel called “Beetlejuice Beetlejuice” has just hit theatres. Catherine joins guest host Talia Schlanger to reflect on how the original film changed her life, what it was like reprising her role as the eccentric Delia Deetz in the new sequel, and the similarities between Delia and her iconic “Schitt's Creek” character Moira Rose.

Dame Evelyn Glennie is the only deaf musician to ever win a Grammy (which she’s done twice) and the first person to create and sustain a full-time career as a solo percussionist. Her new album, “Another Noise,” is a collaboration with the Jamaican British poet Raymond Antrobus, who’s also deaf. Evelyn talks to Tom about the record, how she learned to listen with her whole body, and why it’s her life mission to teach the world to listen.

Amber-Sekowan Daniels is the creator of the new Crave series “Don't Even,” which follows two best friends in late ‘90s Winnipeg as they face uncertain futures after high school. Amber joins guest host Vivek Shraya to reminisce about the ‘90s, talk about what inspired the show, and what advice she’d give her younger self.

As a founding member of the legendary rap crew Wu-Tang Clan, RZA revolutionized hip-hop with his ear for experimentation — not to mention raw lyricism, grimy beats and countless kung-fu references. Though he didn’t initially think of himself as a composer, RZA has leaned into the title in recent years, scoring movies like Quentin Tarantino’s “Kill Bill” and Jim Jarmusch's “Ghost Dog.” He talks to Tom about his first album of orchestral music, “A Ballet Through Mud,” and gaining the confidence to call himself a composer.

Boman Martinez-Reid went viral on TikTok for his funny and pointed parodies of the Kardashians and other reality TV stars, but he always dreamed of being an actor. On his new Crave original series, “Made For TV,” he finally takes a step toward realizing that dream. Each episode sees Boman try out a new genre of reality TV (including dating, drag, cooking and even sports broadcasting) to find out which one fits him. He sits down with guest host Talia Schlanger to talk about the show and what makes reality TV so memeable.

Earlier this year, the father-daughter duo Ethan and Maya Hawke teamed up for the film “Wildcat,” which follows the life of writer Flannery O'Connor while she was struggling to publish her first novel. We revisit Tom’s conversation with Ethan and Maya about their collaboration.

The Canadian band Valley has racked up more than a billion streams, a couple Juno nominations and a few viral hits on TikTok. But somewhere along the way, the band started to feel that authenticity was taking a back seat in their music. Valley’s Karah James and Rob Laska sit down with Tom to talk about tapping into their true selves for their latest record, “Water the Flowers, Pray for a Garden.”

For his debut feature film, Dan Levy wrote and directed a story about grief, aptly titled “Good Grief.” We revisit Tom’s conversation with Dan about the real-life grief that inspired the film and how he pushed through the negative voice in his head.

You may know Priyanka as the winner of “Canada’s Drag Race” Season 1 or, if you grew up in Canada, you may remember her as kids show host Mark Suki on YTV’s “The Zone.” Priyanka has just released her debut full-length album, “Devastatia,” which she calls a love letter to anyone who feels like they don’t fit in. She sits down with guest host Vivek Shraya to talk about the record and learning to believe in herself.

We revisit Tom’s conversation with Grammy-winning pop superstar Dua Lipa. A few months ago, he joined her in New York to discuss her latest album, “Radical Optimism.” In this special conversation, Dua talks about shifting her sound and her mindset, music as therapy, and turning bad dates into catchy pop songs.

A woman who’s been wrongly accused of murder — and is sentenced to be executed — curses the town that did it to her. This is the story told in the play “Snow in Midsummer,” directed by Nina Lee Aquino. Nina joins guest host Vivek Shraya to tell us why she was drawn to this 13th century play and why it still resonates today.