To learn more, please visit Laura Morelli's site. Show Notes: 0:00 Laura Morelli discussing the WWII era art looting 1:15 genesis of writing about the looting of Florentine art collections in The Last Masterpiece 2:45 German Jewish artist Rudolph Levy as guest of German Art History Institute 4:30 Stolperstein for Levy 5:00 perspectives in WWII Italy: museum officials, German expatriates and Allies 8:30 German Eva Brunner and American Josephine Evans - characters in The Last Masterpiece 9:30 decisions on where to begin and end The Last Masterpiece 13:30 decision to use fictional characters versus historical figures in book 14:40 German Art History Institute Director Prof. Friedrich Kriegbaum 16:00 Kriegbaum’s participation in Hitler’s 1938 tour of Florence 18:25 Brunner’s back story 20:10 German photographer Hilde Lotz-Bauer who worked for Prof. Kriegbaum photographing Allied damage to historical monuments in Florence 24:15 Evans based on Women’s Army Corp (WACs) 28:25 women who worked with and supported the Monuments Men 29:00 justice in terms of the individual actions and decisions that enabled the survival of art looted during WWII 31:30 books by Robert Edsel and Ilaria Dagnini Brey 32:15 survival bias 33:30 van Dyck painting 33:40 Uffizi Director Eike Schmidt’s work for Germany to return looted Dutch painting 35:00 impact of propaganda during WWII 38:10 Michelangelo’s Secret Room with 16th C drawings 42:20 2024 release of book related to hiding places in Tuscan countryside in 1943-44 Please share your comments and/or questions at stephanie@warfareofartandlaw.com To hear more episodes, please visit Warfare of Art and Law podcast's website. Music by Toulme. To view rewards for supporting the podcast, please visit Warfare's Patreon page. To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com. Thanks so much for listening! © Stephanie Drawdy [2024]

To learn more, please visit Barbara Hinske's website. Cover photo of Barbara Hinske, 2020 Jean Laninga Creative. Show Notes: 0:00 Guiding Emily Series to effect change for good in the sighted community 1:15 background in engineering and the law 2:00 whodunit books by Barbara’s father 2:25 double vision by auto accident led to Rosemont series 3:55 her approach to writing while still working as an attorney 7:00 work with a writing coach 8:15 writing coach Linden Gross 8:45 Author Conference on Clubhouse 10:30 Rosemont Series 13:50 Guiding Emily Series 14:45 Guiding Emily movie on Hallmark in April 2024 15:00 genesis of Guiding Emily at Foundation for Blind Children 22:50 discrimination against the visually impaired community 24:45 unemployment rate of the visually impaired community 26:00 panel to address employability of individuals from visually impaired community 30:05 viewers@hallmarkmedia.com 35:20 exclusion of unsighted parents 37:30 guide dog graduation ceremony 40:20 Guiding Emily presentation 41:40 power of art to shift and address social issues 42:00 The Christmas Club 44:00 pregnant unsighted individual’s experience 45:30 Canadian child at Foundation for Blind Children 46:55 definition of justice 49:15 The Write Approach podcast 51:20 Hinske’s strong older female protagonists 53:50 Final Circuit 57:30 self-published in e-book and print; traditionally published in audio 58:00 Hinske’s legacy to uplift, encourage and empower Please share your comments and/or questions at stephanie@warfareofartandlaw.com To hear more episodes, please visit Warfare of Art and Law podcast's website. Music by Toulme. To view rewards for supporting the podcast, please visit Warfare's Patreon page. To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com. Thanks so much for listening! © Stephanie Drawdy [2024]

Featuring excerpts from Episode 108, an interview with Dr. Ashfaq Ishaq, and Episode 105, an interview with Milena Chorna, with musical composition by Toulme, Copyright 2024. Many thanks to M.C. Sungaila who sparked the idea for "Manifestation of Freedom". Please share your comments and/or questions at stephanie@warfareofartandlaw.com To hear more episodes, please visit Warfare of Art and Law podcast's website. Music by Toulme. To view rewards for supporting the podcast, please visit Warfare's Patreon page. To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com. Thanks so much for listening! © Stephanie Drawdy [2024]

Show Notes: 0:00 M.C. Sungaila discussing history / preservation of space exploration 1:50 Sungaila’s Portia Project Podcast interview with Space Law Expert Michelle Hanlon 2:45 Sungaila’s experience with University of Mississippi School of Law’s Air and Space Program 5:30 unclear language related to space law 8:00 mining on the moon 9:40 lessons from Holocaust-era restitution cases like Cassirer v. Thyssen-Bornemisza Collection Foundation 12:30 For All Moonkind 13:30 International Symposium on Cultural Heritage in War and Peace: Tangible and Intangible Cultural Heritage through Past, Present and Future 16:45 Sungaila’s proposed framework to create space cultural heritage commission 22:45 The Artemis Accords 24:50 Italian Opera added to UNESCO intangible cultural heritage list 25:15 treaty requiring registration of space objects 25:35 For All Moonkind’s moon registry 26:10 One Small Step To Protect Human Heritage in Space Act 27:40 Sungaila’s projection 29:30 Dubai space court 31:25 urgency of space cultural heritage preservation 32:40 definition of justice 35:40 9th Cir's 9 Jan 2024 opinion in Cassirer and the question of ethics and law 39:45 Mismatch between domestic law and international obligations 42:10 Institute on Space Law and Ethics 44:00 issues related to satellites, drones, air taxis Please share your comments and/or questions at stephanie@warfareofartandlaw.com To hear more episodes, please visit Warfare of Art and Law podcast's website. Music by Toulme. To view rewards for supporting the podcast, please visit Warfare's Patreon page. To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com. Thanks so much for listening! © Stephanie Drawdy [2024]

Cover image by Nosrat Tarighi of Sanjay Sethi at an AFI event entitled Revolutions and Movements To learn more, please visit the sites for Artistic Freedom Initiative and Sethi & Mazaheri, LLC. Show Notes: 2:00 overview of Sethi’s background and work as Founding Partner of Sethi & Mazaheri, LLC and Co-Executive Director of Artistic Freedom Initiative (AFI) 3:45 genesis and mission of AFI 5:00 AFI’s services 8:00 AFI’s residency program 9:00 AFI’s Artists for Social Change 9:45 challenges to helping artists 13:00 AFI’s creation of a sponsorship model 13:30 AFI’s program in Germany 15:00 determination of artists in imminent danger 16:20 assistance for female artists 18:20 university placements for female artists 18:40 the New School’s fellowships for Afghan artists at risk 19:00 Germany’s program for artists at risk 21:00 Journals of Exile at the Berliner Ensemble 22:10 programs through AFI’s Artists For Social Change 23:45 Brazilian Singer Songwriter Bia Ferreira 25:20 AFI’s Afghan Artists Protection Project & Iranian Artists Support Project 27:00 challenges of single intent visas like student visas and O-1 visas 28:30 denial of entry based on immigration intent for Afghan versus Iranian artists 30:00 applications from Myanmar, Egypt, Nicaragua, India and particular Kashmir 31:00 impact of prior and upcoming elections 31:30 Poland shifted back to center left with loss of Law and Justice (PiS) party 31:50 Slovakia’s election of Robert Fico with agenda similar to Hungary’s Viktor Orbán 32:00 Slovenia’s election of liberal Robert Golob 32:10 Brazil’s election of leftist former president, defeating Pres. Jair Bolsonaro 32:15 Indian PM Narendra Modi’s Hindu Nationalist Party projected to win 32:30 elections in Italy and the Netherlands 32:45 new and different threats to cultural sectors globally 33:00 AfI’s Artistic Freedom Monitor - initial reports on Poland and Hungary 36:00 regimes replaced museum/cultural institution heads with right wing politicians 36:00 Curation of shows under those regimes would conform to nationalist ideals 37:25 defunding anti-regime institutions or anti-Catholic in Poland 37:50 intimidation of non-conforming artists 38:10 Poland’s use of blasphemy law to criminally charge non-conforming artists 38:00 chilling effect of such subversive mechanisms 39:15 AFI’s position that arts decisions should be merits-based and non-ideological 39:30 response to Artistic Freedom Monitor’s reports 40:00 erroneous belief that arts are inconsequential in public & political dialogue 41:35 elevation of AFI’s advocacy efforts to an international forum 44:00 collaboration to lobby for artistic and creative freedom 45:00 impact of artificial intelligence 47:50 legacy of his work 49:50 how his notion of justice has evolved Please share your comments and/or questions at stephanie@warfareofartandlaw.com To hear more episodes, please visit Warfare of Art and Law podcast's website. Music by Toulme. To view rewards for supporting the podcast, please visit Warfare's Patreon page. To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com. Thanks so much for listening! © Stephanie Drawdy [2024]

Show Notes: 2:00 Dr. Joanna Sliwa’s background 4:20 Dr. Elizabeth White’s background 5:20 Majdanek concentration camp 8:00 1989 - White received the manuscript of Dr. Janina Mehlberg’s unpublished memoir from Dr. Arthur Funk 10:30 Dr. Janina Mehlberg’s humanitarian work in Polish concentration camp during WWII 12:20 Mehlberg’s alias as Countess Suchodolska 13:30 2018 - Dr. Joanna Sliwa began work with Dr. White to research Mehlberg's memoir 15:00 reading from The Counterfeit Countess 20:00 balance of co-authoring The Counterfeit Countess 22:20 research process 24:00 surprises from the research 27:45 Countess Karolina Lanckorońska 30:30 Saturnina Malm 33:30 Dr. Stefania Perzanowska 35:00 view of women’s roles during war and instances of persecution 38:00 empathic approach of Mehlberg as a model for today 42:00 propoganda 46:00 individual ways to address hate 49:00 justice 51:45 legacy 54:30 Sliwa’s focus on marginalized groups, including future volume on experiences of older jews before, during and after the Holocaust Please share your comments and/or questions at stephanie@warfareofartandlaw.com To hear more episodes, please visit Warfare of Art and Law podcast's website. Music by Toulme. To view rewards for supporting the podcast, please visit Warfare's Patreon page. To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com. Thanks so much for listening! © Stephanie Drawdy [2024]

Show Notes: 1:00 overview of thesis topic 3:00 2018 music video at the Louvre by Beyoncé and Jay Z 3:55 Advertising campaign by Louis Vuitton that featured Joan Mitchell paintings 6:00 2020 Uffizi promotional campaign to promote Botticelli exhibition 7:25 Uffizi’s TikTok account posting with Dua Lipa 8:10 criticism of Uffizi campaigns 9:20 Approaches by EU and UK 11:20 Influencer marketing 14:35 EU Directive 30:10 Italian approach 33:00 liability under Italian case law and consumer code 35:30 historical events that caused Gallo’s choice on research and thesis 37:00 Emily Gould 38:20 Alan Robertshaw 43:15 risks and contractual issue with fees 46:20 Gould 47:45 Gallo on InstaGram disclosure Please share your comments and/or questions at stephanie@warfareofartandlaw.com To hear more episodes, please visit Warfare of Art and Law podcast's website. Music by Toulme. To view rewards for supporting the podcast, please visit Warfare's Patreon page. To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com. Thanks so much for listening! © Stephanie Drawdy [2024]

To learn more, please have a look at Dr. Ercolani's book, The Maidan Museum: Preserving the Spirit of Maidan. Show Notes: 1:00 Ercolani’s background 3:50 Ercolani’s focus of Ukraine 6:40 research and writing The Maidan Museum: Preserving the Spirit of Maidan 11:40 new Maidan language created that includes symbols 14:45 portraits by Marina Sochenko 16:50 Yulia Ovcharenko 17:45 Tatyana Cheprasova 18:20 Cheprasova’s use of Caravaggio 19:00 Oleksandr Ivanovych Melnyk’s “I Can See Your Deeds” 19:45 Melnyk’s “I Can See Your Deeds” 20:25 French anthropologist Marc Augé - ‘anthropology of encounter’ 21:15 Marina Sochenko’s art as documentation 21:55 Artistic Hundreds group 22:15 Artist Ivan Semesyuk with Artistic Hundreds 26:15 Kandinsky quote that artists are receivers and beneficiaries 28:15 Maidan art and a new world order 33:45 NATO 36:45 Maidan revolution and the current war 41:00 memory of identify and identity war 42:05 author Andrey Kurkov’s move to Ukraine to have the identity of Ukrainians 43:25 significant of preserving art and cultural heritage in times of conflict 47:00 his legacy 49:50 his definition of justice 51:15 the constitution of Melfi by Emperor Frederick II 53:15 link between Russian-Ukraine War and Maidan Revolution 58:45 next projects focused on conflict in society 1:00:30 anthropological identity work tied to art and cultural heritage 1:02:30 artist seen as enemy Please share your comments and/or questions at stephanie@warfareofartandlaw.com To hear more episodes, please visit Warfare of Art and Law podcast's website. Music by Toulme. To view rewards for supporting the podcast, please visit Warfare's Patreon page. To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com. Thanks so much for listening! © Stephanie Drawdy [2024]

Featuring excerpts from Episode 121, an interview with Dr. Samson Munn and musical composition by Toulme, Copyright 2023. Please share your comments and/or questions at stephanie@warfareofartandlaw.com To hear more episodes, please visit Warfare of Art and Law podcast's website. Music by Toulme. To view rewards for supporting the podcast, please visit Warfare's Patreon page. To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com. Thanks so much for listening! © Stephanie Drawdy [2024]

Cover Photo of David Newhoff by Sean Mekas To learn more, please visit Mr. Newhoff's site as well as his blog, The Illusion of More. Show Notes: 1:45 Newhoff’s background 4:15 impetus to write Who Invented Oscar Wilde?: The Photograph at the Center of Modern American Copyright? 6:15 SCOTUS’s Warhol decision 10:00 Sarony’s input compared with and AI users’ input 14:00 Newhoff’s comments to USCO’s NOI and Request for Comments 17:20 compulsory licensing scheme 18:50 RightsClick 25:45 USCO’s focus on how a work was created (by AI or human) versus leaving that to courts 25:55 feedback on his comments to USCO 32:00 AI copyright lawsuits in the US 36:25 liability for AI training data 40:45 Emily Gould: whether training involves making copies, EU exception for copies 43:00 whether US copyright is still fit for purpose in light of issues raised by AI 44:20 work “in the style of” 48:40 Deborah Roberts vs Lynthia Edwards - suit over collage works 52:30 Alan Robertshaw: threshold of infringing work versus transformative work 54:50 why use AI to create artwork 56:45 NFT hype 57:35 the legacy Newhoff hopes to be creating 58:50 Newhoff’s view of justice 1:01:00 status of Allen v. Cooper and Allen’s pending constitutional takings claim 1:04:00 camouflage patents 1:05:20 change from allowing IP claims against states to decision that Congress does not have that authority and 11th Amendment’s restriction of individuals bringing suit against states controlled Please share your comments and/or questions at stephanie@warfareofartandlaw.com To hear more episodes, please visit Warfare of Art and Law podcast's website. Music by Toulme. To view rewards for supporting the podcast, please visit Warfare's Patreon page. To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com. Thanks so much for listening! © Stephanie Drawdy [2024]

Cover Image: Self-Portrait, oil on canvas by Jacob Mącznik. To learn more, please visit the website for Jacob Mącznik, the Lost Art Database page for Mącznik's Still Life with Fish, The Austrian Encounter and the trailer to The Ghosts of the Third Reich. Show Notes: 0:00 Dr. Samson Munn discussing Van Ham art auctionhouse 1:45 Munn’s background 2:50 history of Holocaust-related dialogue with Dan Bar-On 4:00 Children of the Third Reich 4:20 Austrian dialogue group 4:35 Ghosts of the Third Reich 6:00 second group, The Encounter 7:45 Dan Bar-On’s book Fear and Hope 12:00 examples from dialogue groups 17:15 Munn’s initial motivation to start dialogue group - emotional responsibility 24:40 Munn’s dialogue work in Northern Ireland 27:25 dialogue work with descendants of displaced indigenous peoples 28:50 preparation for dialogue group facilitators 32:20 screening individuals for dialogue groups 33:45 Israeli, Polish and German citizenship 44:30 Jacob Mącznik’s work 1:00:00 Van Ham auctionhouse 1:06:00 Parisian archive research 1:11:00 Munn’s research of other artists from the Paris School 1:12:30 female artists from the Paris School 1:14:30 Mącznik catalogue raisonne 1:17:00 legacy that Munn is working to create 1:19:30 justice 1:22:30 Israeli PM Netanyahu Please share your comments and/or questions at stephanie@warfareofartandlaw.com To hear more episodes, please visit Warfare of Art and Law podcast's website. Music by Toulme. To view rewards for supporting the podcast, please visit Warfare's Patreon page. To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com. Thanks so much for listening! © Stephanie Drawdy [2024]

Show Notes: 0:00 Yelena Khajekian 1:30 Warhol v Goldsmith decision by SCOTUS 3:00 USCO NOI’s Question 8 4:00 Google LLC v. Oracle America, Inc., 593 U.S. ___ (2021) 4:20 liability question 4:45 Emily Gould - fair use 6:30 Alan Robertshaw - Warhol court’s focus on use of the work 7:50 Khajekian - artists’ perspective on Warhol decision 9:00 Campbell v. Acuff-Rose Music, Inc., 510 U.S. 569 (1994) 10:20 confusion of fair use analysis and court’s aesthetic analysis 12:00 USCO NOI’s Question about fair use 13:00 Robertshaw - UK’s fair dealing analysis 15:50 Gould - big players like Getty 17:45 text and data mining exception 20:10 Drawdy - private contracting as a solution 21:00 Robertshaw - Getty 22:15 Khajekian - conceptual art 25:55 Warhol’s 2 Cir decision 26:50 Gould & Khajekian - Richard Prince decision held not fair use 27:20 Khajekian - equity issue 28:40 Gould - UK courts’ emphasis on purpose, e.g., Stormtrooper helmet case 30:30 Drawdy - amount and substantiality of use 31:10 Gould - Australian case about Men at Work’s use of folk song Kookaburra in its pop song Down Under 32:20 Robershaw - dispute over Vanilla Ice’s Ice Ice Baby 33:00 Ed Sheeran 34:15 Getty case pending in UK 35:00 Khajekian - international versus US issues 37:30 Robershaw - test that contemplates level of effort or end result regarding AI output 40:30 Gould - risks involved with AI 40:50 EU’s application-based approach 41:10 AI for medical applications 41:55 detecting forgeries will still require humans, e.g., conflicting AI results regarding Raphael 42:50 implicit bias in AI 43:15 dogs detecting forgeries 43:40 chickens detecting shapes Please share your comments and/or questions at stephanie@warfareofartandlaw.com To hear more episodes, please visit Warfare of Art and Law podcast's website. Music by Toulme. To view rewards for supporting the podcast, please visit Warfare's Patreon page. To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com. Thanks so much for listening! © Stephanie Drawdy [2024]

Cover art: Martha Szabo, Rooftops in Snow 11, oil on linen, 24 x 35 in., circa 1964 To learn more, please visit the sites for Martha Szabo and MSeum. Show Notes: 0:00 Art historian Kathleen Hulser 1:30 Journalist Julia Szabo’s motivation to work on Martha Szabo’s body of work 4:30 MSeum to be built in the Catskills 5:00 National Association of Women in Construction 7:50 Justice for unknown female artists 11:15 Museum’s mission related to blind and low-vision visitors 13:45 Sculpture Robin Antar’s limestone sculpture of Szabo’s “Red Sunset” 15:20 Legacy to be created with MSeum includes redefining storage 16:45 Visible storage space 18:30 Julia Szabo’s parents 19:45 ‘Mother Artist’ field of scholarship 20:00 Author Hettie Judah 21:20 Reception for Martha Szabo’s exhibition Up On the Roof 22:10 Artist Christina Massey 23:20 Museum’s director Kathleen Hulser 24:30 “Up On the Roof” exhibition curated by Hulser 26:00 “Incorrigibles” trans media project 27:45 MSeum’s creation and mission 34:15 Hulser’s scope a MuSeum 36:45 Martha Szabo’s background and how it impacted her work 43:15 Feedback about Martha Szabo’s solo exhibition Up On The Roof: Liberation, Transformation, Celebration 49:35 MSeum and exhibitions like “Up On The Roof” role in bringing some historical justice for female creatives 52:10 David Richard Gallery Please share your comments and/or questions at stephanie@warfareofartandlaw.com To hear more episodes, please visit Warfare of Art and Law podcast's website. Music by Toulme. To view rewards for supporting the podcast, please visit Warfare's Patreon page. To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com. Thanks so much for listening! © Stephanie Drawdy [2024]

Cover art by Donald "C-Note" Hooker: top image "Cell Time" (2019); bottom image "During the Flood" (2017) To learn more, please visit the sites for Donald "C-Note" Hooker and Art for Redemption. Show Notes: 0:00 Anna D. Smith discussing C-Note Hooker’s artwork entitled “During the Flood” 1:20 Smith’s background 3:15 Smith’s work as a court advocate 4:00 Smith’s adoption of son, Emmanuel 4:45 Smith’s contact with artist Donald “C-Note” Hooker 5:55 Art for Redemption coffee book 6:10 C-Note’s work related to social justice 6:45 “During the Flood” aka “Count Time” 7:50 California prison built on flood-prone areas 8:45 compensation for incarcerated workers 11:00 Smith’s efforts to sell C-Note’s artwork 11:45 billboards “Incarceration Nation” and “Look Up Hope and Beauty” 12:20 “Colored Girl Warhol” 13:20 Billboard events to raise awareness about issues for the individuals in the system, the homeless, parolees 14:10 “Incarceration Nation” 14:50 misconceptions about individuals in the system 16:45 defining justice and amendment of the 13th Amendment 19:00 power of imagery to impact social awareness about issues with the system 20:30 legacy and need for connections 21:00 Martin Luther King’s inspiration to love one’s enemies 24:00 incarcerated individual who entered contest about rehabilitation 27:00 view of justice for Smith began with her father’s work as teacher of economics to those incarcerated 30:30 Vanity Fair article 32:00 importance of the arts in the system Please share your comments and/or questions at stephanie@warfareofartandlaw.com To hear more episodes, please visit Warfare of Art and Law podcast's website. Music by Toulme. To view rewards for supporting the podcast, please visit Warfare's Patreon page. To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com. Thanks so much for listening! © Stephanie Drawdy [2024]

To learn more and support Vacant to Visual artists, please visit the CityKey website. To reach out and learn more about Ernest Chrappah's work, please visit his website. Show notes: 0:00 Ernest Chrappah 1:10 Chrappah’s background 4:00 Washington DC’s Vacant to Visual program 9:00 artists included in the Vacant to Visual program 9:50 Nia Keturah Calhoun 11:15 “Ro” Stephenson 12:00 Vacant to Visual NFTs 13:40 feedback from Vacant to Visual program 16:20 Vacant to Visual program as a model for other cities 18:20 his view on how art can be used to create a more just society 20:45 his defintiion of justice 23:15 future work 25:30 AI policy 28:30 Vacant To Visual Site and Vacant to Visual NFT purchase cite Please share your comments and/or questions at stephanie@warfareofartandlaw.com To hear more episodes, please visit Warfare of Art and Law podcast's website. Music by Toulme. To view rewards for supporting the podcast, please visit Warfare's Patreon page. To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com. Thanks so much for listening! © Stephanie Drawdy [2024]

To learn more, please visit the website for the #lastseen project. SHOW NOTES: 0:00 Katharina Menschick on the response to #lastseen project 3:00 Menschick – research associate in Arolsen Archives’ historical research department dealing with digital memory projects, digital archival projects and archival theory 3:20 Dr. Christoph Kreutzmüller – historian with Arolsen Archives and House of the Wannsee Conference in Berlin 3:45 mission of the #lastseen initiative 5:00 missing deportation photographs 6:00 deportation photographs found by American GI and returned during Nuremberg trials 7:00 request for deportation photographs 7:20 types of deportation photographs 8:30 Eisenach deportation – Magda Katz 9:00 U.S. Holocaust Memorial Museum research – donor identified uncle in photograph 11:15 deportation from Dr. Kreutzmüller’s hometown 12:30 questions about why photographers took the deportation photos 13:00 spectatorship / audience of the photographs 14:20 importance of photographs as a historical source 14:45 virtual interactive educational resource 16:45 German high school pupils’ assistance in developing educational resource 18:10 difficulty of discussing bystanders 19:30 photographs invite reflection 22:00 historical transparency by telling what they don’t know 25:00 giving context to photographs 28:30 gaze of those photographed 29:15 propaganda film in Warsaw Ghetto 30:20 legacy of their work 32:15 definition of justice – striving for fairness 33:00 real restoration cannot be achieved 34:00 doing justice to the photographs and to those in the photographs 34:45 restitution through archives Please share your comments and/or questions at stephanie@warfareofartandlaw.com To hear more episodes, please visit Warfare of Art and Law podcast's website. Music by Toulme. To view rewards for supporting the podcast, please visit Warfare's Patreon page. To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com. Thanks so much for listening! © Stephanie Drawdy [2024]

SHOW NOTES: 0:00 Alan Robertshaw 1:00 Emily Gould - overview of AI historical development 2:30 first phase - 1950s Alan Turing - machines do what they are told 3:10 second phase - machine learning creating models using data and develop methods to make decisions / predictions based on that data 3:50 third phase - deep learning usually using neural networks to mimic the human brain 4:50 GANs - part of third phase that involve generator and discriminator algorithms 5:55 Obvious’ Portrait of Edmond de Belamy 6:40 Robbie Barrett’s code used by Obvious 8:40 unpredictability in the deep learning phase 9:25 different tests applied to determine if a machine is intelligent 9:55 Turing test - machine is intelligent if you can’t tell the difference between responses by a human and a machine 10:10 Lovelace test - machine is intelligent if you can’t explain machine’s answer 11:20 ‘Alpha Go’ algorithm 13:30 uses of AI 14:20 huge training data sets 15:50 major risks with AI include copyright 17:10 privacy and data protection 17:20 transparency - deep fake 17:40 bias amplification 18:15 MIT researcher Joy Buolamwini’s work with facial analysis software 19:45 UK’s pro-innovation approach to AI 21:45 text and data mining (TDM) exception only for non-commercial use - proposal to expand to commercial use 24:25 Nov 2022 government decided not to expand TDM exception to commercial use 24:55 UK Pro-innovation Regulation of Technologies Review 26:45 A pro-innovation approach to AI regulation policy paper - no legislation in the short term, no move to central regulatory body for AI 29:30 AI described in UK white paper as including autonomy and adaptivity 32:25 Global Summit on AI Safety 32:45 EU AI Act with risk—based approach - June 2023 signed off by Parliament; final conclusions expected late 2023; operational circa 2026 36:35 US - AI suits pending 37:00 Robbie Barrett 38:00 opt in versus opt out policy 39:20 Senate testimony regarding UK’s AI advances 40:15 US Task Force on AI Policy proposed; Privacy Consumer Protection Framework 40:45 Getty v. Stability AI suits in US and UK 41:25 2024 elections and AI 44:00 Alan Robertshaw’s case with Getty 47:05 Gould: AI voice scam 48:00 Robertshaw: AI uses 50:20 AI medical screening 53:00 consciousness 56:00 Artist Sofia Crespo’s work with natural history 56:30 Lines and Bones by artist Iskra Velitchkova 56:50 Dawn Chorus Alexandra Daisy Ginsberg 57:30 projection for how artists in the UK will address AI issues Please share your comments and/or questions at stephanie@warfareofartandlaw.com To hear more episodes, please visit Warfare of Art and Law podcast's website. Music by Toulme. To view rewards for supporting the podcast, please visit Warfare's Patreon page. To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com. Thanks so much for listening! © Stephanie Drawdy [2024]

To learn more, please visit the sites for Sojourn Theatre, One Nation/One Project, and the Undoing Time: Art and Histories of Incarceration exhibition. Cover Photograph: "Rohd co-facilitating an arts convening in Boston this past fall with Nicole Brewer and musicians from Silkroad Ensemble" Show Notes: 3:45 Rohd’s background 4:50 'Hope is Vital' project in DC area 7:00 Sojourn Theatre 10:10 2003 disruption in Oregon legislature 11:50 'Witness Our Schools' project - role of public education today 14:30 impact of bringing voices in and building relationships for a different kind of dialogue 15:15 criteria for success of arts-based work around civic issues 16:10 One Nation / One Project rooted in post-Great Depression Federal Theater project 22:15 local community involvement centered on building relationships 25:30 approach to critics of social-based arts programs 28:10 Center for Performance and Civil Practice (CPCP) - collective of 9 33:45 Undoing Time: Art and Histories of Incarceration exhibition with Arizona State University Art Museum Director Miki Garcia (Episode 79) 37:45 choreography / dramaturgy for Undoing Time 40:20 questions posed in Undoing Time 42:10 future project for the cards created from Undoing Time 44:45 aspect of justice included in the question he focuses on: who are we responsible for? 47:30 influence of teachers that led Rohd to his current work 49:50 legacy 51:30 Co-Lab for Civic Imagination in Montana 53:50 ‘Communities of Care’ model 54:15 Definition of Civic Imagination - like functional democracy Please share your comments and/or questions at stephanie@warfareofartandlaw.com To hear more episodes, please visit Warfare of Art and Law podcast's website. Music by Toulme. To view rewards for supporting the podcast, please visit Warfare's Patreon page. To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com. Thanks so much for listening! © Stephanie Drawdy [2024]

To learn more, please visit the websites for Jeremy Richter, J.W. Judge, Scarlet Oak Press and The Write Approach podcast. Show Notes: 1:00 Commercial litigation practice with Gordon Rees 4:00 Sustainable marketing and branding with writing law blog 5:00 Speaking and presenting at conferences on legal topics 5:20 Writing legal non-fiction on case management, client development 6:20 2018 ABA published book Building A Better Law Practice, 2019 Self published 2nd and third books Stop Putting Out Fires and Level Up Your Law Practice: The Ultimate Guide to Being a Successful Lawyer 7:40 August 2020 first novel Vulcan Rising 8:20 Research for family story from father’s side of family 8:50 Grandfather’s father murdered his estranged wife and himself in 1940 10:45 Research for second novel Seeking Sanctuary in The Zauberi Chronicles set in Germany’s Black Forest 14:30 Lawyerpreneur podcast ran from March 2020 to August 2022 16:50 The Write Approach podcast 18:45 Co-host Barbara Hinske 20:00 The Write Approach podcast episode 6: Dovetailing Creative Ideas and Smart Business Decisions with Kevin Tumlinson and reference to AI 20:45 AI changes 21:50 Chat GPT - rewrite of book blurb 22:40 Chat GPT-3 and Chat GPT-4 23:00 AI’s impact on jobs 24:00 AI for book cover ideas 24:25 Casual Business with Fairies 25:00 5th novel - Castaway meets a murder mystery 26:10 Publishing imprint Scarlet Oak Press 26:50 Do You Draw Pictures by Becki C. Lee (Author), Walter Jaczkowski (Illustrator) 27:35 Should We Shake On It by Becki C. Lee (Author), Walter Jaczkowski (Illustrator) 27:50 Mommy Needs a Minute by Claire E. Parsons & Naomi L. Hudson 29:00 Traditional publishing 31:00 The Write Approach podcast episode 33: From Spicy Romance to Chart-Topping Suspense with Alessandra Torre 31:25 Evolution of his business goals and intent for future work 32:50 Pursuit of multiple careers 34:25 Definition of justice Please share your comments and/or questions at stephanie@warfareofartandlaw.com To hear more episodes, please visit Warfare of Art and Law podcast's website. Music by Toulme. To view rewards for supporting the podcast, please visit Warfare's Patreon page. To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com. Thanks so much for listening! © Stephanie Drawdy [2024]

Cover art After World War III, 2020, oil on board, 60 cm x 80 cm, by Farook Mohammed To learn more, please visit the website for the Afro Arabian Empire. Show Notes: 00:45 Pan-African mission of his artwork that combines the diversity of Africa 2:30 artwork to promote brotherhood and unity for Africa and the world 8:00 artwork tells stories that include a focus on identity and gender 10:00 childhood 12:25 social constructs 15:30 power of art 16:00 legacy he want to leave 18:00 under-population of the world 18:40 sustainable development 19:00 examples of his work 22:30 women 23:10 Man’s Endeavor 25:00 life outside the earth 26:30 use of AI 30:30 regulations on use of technology 32:15 transparency about use of AI to create art 33:00 Chat GPT 34:40 open market 36:20 used Midjourney for ideas 38:20 use of AI for bad reasons 39:15 drone technology 40:20 Elon Musk 40:50 After World War III 44:30 claims against S African media houses 47:30 Afro Arabian Empire 47:55 group exhibition planned for Mantis Boutique 48:30 Continental Pan-Africa Art Exhibition 49:45 view of justice Please share your comments and/or questions at stephanie@warfareofartandlaw.com To hear more episodes, please visit Warfare of Art and Law podcast's website. Music by Toulme. To view rewards for supporting the podcast, please visit Warfare's Patreon page. To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com. Thanks so much for listening! © Stephanie Drawdy [2024]