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Fiction Writing Made Easy

#124: Student Spotlight: 5 Lessons Learned from Notes to Novel (Season 3)

Fiction Writing Made Easy
Fiction Writing Made Easy

“That's how much my writing's improved. But not just the writing, it's the ease. It's not a struggle when I sit down in front of the laptop to write. Everything just seems a lot easier.” - Morgan Schrock

In today's episode, I reached out to some of my Notes to Novels Season 3 students and asked them to share the number one thing they learned about writing a first draft. You're going to get to hear from real writers who are in the trenches, actively working on their novels and I think it'll be very fun for you to hear how they did it plus some of their biggest takeaways.

Read the blog post here!

Here’s a preview of what’s included:

[01:26] Lindsay Sfara shares her experience where she initially faced challenges with an insufficiently detailed outline, leading to a lack of direction in her superhero fantasy novel.

She highlights her struggles and the transformative impact of the Notes to Novel course.

[07:56] Liya Gray has been working on a YA series since 2015, facing challenges and halting progress. She credits Savannah’s course for unlocking a new understanding of her story's structure, and realizing the difference between scenes and chapters.

[12:43] Ami Blackford talks about her insights into the Notes to Novel course and its impact on her writing journey. Amy, initially felt there were missing pieces in her eighth novel's outline but she highlights four significant takeaways from the course regarding theme, content genre vs. commercial genre, structured scenes, and fast first draft and magical edits.

[18:46] Tanja Fabsits shares her experience with her first novel, and a significant realization during the course was related to scene structure, but her favorite takeaway was the overall feeling of relaxing into the outlining process.

[20:56] Morgan Schrock, with a background in scientific writing for journals, decided to write a fiction novel. Her most significant realization was that the middle of her story felt boring, and she identified the problem as a lack of agency for her main character. The course's outlining technique proved to be a game-changer for her.

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